The film not only has the creator's unique style, but also has a strong literary flavor. It is called "an epoch-making work in the history of Western film from the traditional period to the modern period". The film does not continue the positive documentary description of the brutal war in the traditional sense, but hides the war behind a love story, breaks the three time and space boundaries of the past, present and future in editing, and uses the narrative structure of flashback without skill to dilute the time. At the same time, it uses sound and picture to counterpoint, the picture is Navel, and the sound comes from Hiroshima. So far, the past and the present are blended together, which more profoundly expresses the alienation of the human spirit and the external world by war. For the first time in the film, there is a curious and novel narrative technique, implanted with surrealism and stream of consciousness, which makes the film completely break with the traditional realistic performance based on the setting of an omniscient narrator. The monologue of one or more characters replaces the fixed narrator, and the audience needs to abandon the old laws and experience the film in a new way. In addition, Lei Nai also used a lot of newsreels to show the tragic war in the film. Different from general citations, the use of newsreel materials in the film completed a qualitative change from realism to symbolism
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Hiroshima Mon Amour artistic technique
2022-02-07 14:46
Extended Reading
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Tamara 2022-03-23 09:03:15
Four and a half stars. Using stream-of-consciousness editing to explore memory and forgetting, the repeated comparison monologue enhances the sense of dreaming, and the tearing between leaving and leaving breaks the concept of time and space: revival, the past possessed by the present, the continuous death, the uncaptured present, the hanging A halted, never-reachable future, where aliasing and recombination make "you" and "he" merge; actually knowing a person doesn't mean anything - we always forget again and again, and face new faces again and again. Always remembered again and again.
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Edythe 2022-03-29 09:01:08
Duras' book is very strange, every woman is not loyal, and the male protagonist of this film also beats the female protagonist, what kind of thing.
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Lui: Perhaps I was dreaming, without realizing it.
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Lui: What's the film you're in?
Elle: A film about peace. What else would we be making in Hiroshima?