Both the narrative style and the propositions of "Sheng き る" are very moving
. The film penetrates into the hearts of the characters from the inside, and focuses on the Japanese society after World War II from the outside
. Wind Man puts the sense of chaos in the moment of facing death. The actor who learned that he was suffering from cancer at the end of the stage has transitioned from the utter pain to the struggles of wanting to have fun and looking for youth, and finally has a self-consciousness. So for a group of women and children, Belie contended with the bureaucracy of public institutions. In the film, Wind Man has repeatedly emphasized that this self-consciousness in the face of death requires strong willpower and faces irretrievable loneliness
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Ikiru evaluation action
2022-01-03 08:01
Extended Reading
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Juana 2022-01-03 08:01:17
If government officials are allowed to get cancer once, even if it is a misdiagnosis, will the world become a better tomorrow?
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Elda 2022-03-28 09:01:04
Father's Day movie. The aphasic person occupying the center of the picture: there is no desire to speak, no need to speak, even if he speaks, he will not be understood, and even if he speaks, no one will hear it anymore—the right to interpret life will ultimately be left to others. Walking through the traffic, lost on the dance floor, crawling up the stairs to reminisce, hunched over and begging. Pushing aside all the foreground is blocked by his embarrassed but unwilling eyes, and the background is the present world shrouded in the illusion of vitality. The soul has been swinging on the swing, swinging away the sunset sky he longed for, the free sky he had never noticed in his life.
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Local Citizen: The water gives my child rashes. And it breeds mosquitos. Can't you do something? It would make a great playground if you filled it in.
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Narrator: There's nothing left of that will or passion. They've been completely worn down by the minutia of the bureaucratic machine and the meaningless busyness it breeds.