Both the narrative style and the propositions of "Sheng き る" are very moving
. The film penetrates into the hearts of the characters from the inside, and focuses on the Japanese society after World War II from the outside
. Wind Man puts the sense of chaos in the moment of facing death. The actor who learned that he was suffering from cancer at the end of the stage has transitioned from the utter pain to the struggles of wanting to have fun and looking for youth, and finally has a self-consciousness. So for a group of women and children, Belie contended with the bureaucracy of public institutions. In the film, Wind Man has repeatedly emphasized that this self-consciousness in the face of death requires strong willpower and faces irretrievable loneliness
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Ikiru evaluation action
2022-01-03 08:01
Extended Reading
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Jeanne 2022-01-03 08:01:17
Desire for life! A masterpiece about life and human nature, in this movie, Kurosawa reaches the pinnacle of his spiritual world. The spiritual definition of life and death, the strong irony of the government, the in-depth analysis of human nature, and the thorough reflection on life are so deeply rooted and vivid. I personally think that this film has reached the peak of Kurosawa's movies. I am fortunate to be able to see such a classic that shocks the soul. Shimura Joe’s performance deserves to be highly praised as Mifune. This is also how Mifune and Kurosawa Akira started Cooperation, until the end of the work together, the only film that did not participate. Even today, more than 50 years later, this movie still shines with indelible light, always shining on the faces of you and me.
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Elwyn 2022-03-27 09:01:09
When "Voices on the Street" suddenly broke into the auditory space of the film for the first time, it meant that the omniscient perspective of the horror voice-over preview and suspense temporarily disappeared, and Akira Kurosawa seemed to have borrowed from the "Benshi" of early Japanese silent films. Traditions - Narratives, scenes, and subjective critiques of characters. At this time, the viewer enters the subjective perspective of the old man, but the omniscient point of view and the voice-over have not completely disappeared. They still intrude from time to time. What disappears is the subjective perspective in the second half of the film, and is replaced by a flashback of group images under the subjectivity of space. , Onion-type ghost (psychic)-image, as the last link of the free indirect structure of the film. However, "The Desire of Life" is not a story about the elderly. The elderly are stagnant in childhood. From the release of suppressed pleasures, desires, and love to "creation" that means morality and responsibility, the arrival of terminal illness makes He had to re-examine his state of existence, undergo growth rituals, and age at an incredible rate.
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Novelist: That's not art. A striptease isn't art. It's too direct. It's more direct than art. That woman's body up there? It's a big juicy steak. It's a glass of gin. It's a hormone extract. Streptomycin. Uranium!
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Kanji: [singing] Life is brief / Fall in love, maiden / Before the crimson bloom / Fades from your lips / Before the tides of passion / Cool within you / For those of you / Who know no tomorrow...