Interstellar creative background
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Jason 2022-03-25 09:01:05
This time, the brain-burning is not the story structure, but the theory of interstellar crossing. Then, based on the visual spectacle created by these theories, the structure of the play is still the parallel montage acceleration commonly used by Nolan, and the final reversal can be regarded as a loop. Very traditional Hollywood genre writing, the use of details and foreshadowing is definitely a textbook level, the theory is not difficult to understand is not the point, because the core of the story is always (father) love. ★★★★
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Elmo 2022-03-24 09:01:07
I really felt crying. With Hans Zimmer’s soundtrack, I was about to kneel on the ground and wipe my tears in the black hole. Whenever this happens, I feel the paleness of the language. "Shocking" and "good-looking" are no longer enough to describe this movie. I can't wait to use such exaggerated words as "salvation" and "human epic". What's more emotional is that the American film industry has reached this state. It is really human beings who want to watch movies, so God created Nolan.
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Cooper: Well, this little maneuver's gonna cost us 51 years!
Brand: You don't sound so bad for a man pushing 120!
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[as they pass through the wormhole a space-time distortion appears inside of the Endurance]
Romilly: What is that?
Brand: I think it's them.
[she reaches toward the distortion]
Doyle: Don't, don't!
[Brand touches the distortion; the Endurance exits the wormhole and space returns to normal]
Romilly: What was that?
Brand: [grinning] First handshake.