From the first scene to the last scene, the film has been asking the audience why African boys hate the national law enforcement system. The director did not simply blame their brutal law enforcement police, but with a burning another frame picture summer afternoon and Raoyou meaning of the symbol of the camera, the audience constantly thinking up into a sleepy territory
. Director Ladj Ly’s control ability is amazing. It starts with the scene of the national celebration after France won the World Cup. It is meaningful and full of irony. After a brief fusion of competitive sports creation, the rest of the film fully shows the different races of the same country. How to quickly return to the normal state of tearing. Photography does not have a rough hand-held style at all. Instead, it is replaced by a smooth lens movement, conveying a strong sense of reality and presence. The final climax of the show unfolds in the narrow corridor. It can be called a 21st century miniature version of the barricade in the novel "Les Miserables". The Cannes Jury Award for the film is well deserved
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Les Misérables evaluation action
2022-01-15 08:01
Extended Reading
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Kathryne 2022-03-17 09:01:06
#72nd Cannes# Jury Award. It's much better than the short film of the same name, and it's space enough to clarify the neighborhood/ethnic politics in the short film that doesn't have time to explain clearly. In this sense, it is actually more advanced and more complicated than [Training Day]. The 2006 documentary "365 Days of Clichy-Monfermeil" by director Rad Lee (the background information of the 2005 French riots as a key plot) must also be referenced. At the beginning, the rhythm was too slow, and the ending was sensational and preaching, and then Issa blackened and revenge was a bit too powerful, and I had to cling to that ending. However, this film is much better than "Black Party Members" in terms of social intervention and expression of anger.
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Alec 2022-03-26 09:01:11
#22ndSIFF# The tireless discussion of human rights issues is also a major feature of French cinema. To be politically incorrect, black people are an anti-civilization species.
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Chris: You just arrived and you're lecturing us? We're the only ones respected.
Brigadier Stéphane Ruiz, dit Pento: Respect? People around here just fear you.