A three-stage story with multi-line development, interpersonal and inter-dog relationships, as well as rhythmic soundtracks and pictures. The way of mirroring and storytelling in "Love is a son of a bitch" is like a complete MTV with a complete plot. Coupled with the overlapping of various characters and unexpected encounters, the chaotic vitality of the entire Mexico City is chosen through the lives of these people. Wonderful communication. Through "Love is a bitch", what the audience sees is not dark pictures, sad memories, or endless chattering complaints, it just tells a nice story that happened in Mexico City.
"Love is a bitch" tells a three-part story with fashionable tricks, which is called the Mexican version of "Pulp Fiction." This structure of interlaced time and space and multi-line development is purely ingenious, and a piece of "Pulp Fiction" by Quentin's genius is enough. From the perspective of imagination, "Love is a bitch" is also far less than "Sprinting Lola", which played pure forms of ghost tricks to the extreme in the cramped time and space. For this kind of film that wants to play and want to pretend to be a wolf with a big tail, the most intuitive emotional experience is dirty.
