Mulholland Drive movie plot
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Gabrielle 2022-04-24 07:01:02
93/100 is another film about dreams and reality, but in Lynch's hands, he merged the two in a "magic" way, with fragmented stories embedded in every sensory gap, not only non-linear. , is not narrative at all. The camera turns into an eye, and every movement is a wild dance in a dream. The disappearance of characters and the transformation of time and space are not only the composition of the dream, but also the puzzle of the entire image "empire". Ambience. For viewers, connecting clues in series can have the pleasure of solving puzzles, stirring life and death in the flashy world. And the purely emotional experience will also have the pleasure of wandering in the maze, and finally sleeping with the dream. It can be seen that Lynch really likes Freud, creating such a great work to prove it, and let everyone understand that the director is a great weirdo.
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Crystel 2022-03-24 09:01:18
I can't say that I understand it, but I like it very much. There is a kind of dream-like freewheeling characteristic. It may mainly be that the girl's dream is frustrated, and then her psychology has changed.
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Dan: I just wanted to come here.
Herb: To Winkie's?
Dan: This Winkie's.
Herb: Okay, why this Winkie's?
Dan: It's kind of embarrassing.
Herb: Go ahead.
Dan: I had a dream about this place.
Herb: [sighs] Oh, boy.
Dan: See what I mean?
Herb: Okay, so you had a dream about this place. Tell me.
Dan: Well, it's the second one I've had, but they're both the same. They start out that I'm in here, but it's not day or night. It's kind of half-night, you know? But it looks just like this... except for the light. And...
[shaking his head]
Dan: I'm scared like I can't tell you. Of all people, you're standing right over there... by that counter. You're in both dreams and you're scared too. I get even more frightened when I see how afraid you are and then I realize what it is. There's a man... in back of this place. He's the one who's doing it. I can see him through the wall. I can see his face. I hope that I never see that face, ever, outside of a dream.
[Dan looks down and shakes his head again, clearly terrified of the memory, and sniffs, as though close to tears. Herb cocks his head, waiting for more. The background music becomes increasingly ominous]
Dan: That's it.
Herb: So... you came here to see if he's really out there.
Dan: [leans in] To get rid of this god-awful feeling.
Herb: [nodding] Right, then.
[Herb rises and goes to pay the bill at the counter. Dan turns and looks, and his terror increases as he sees Herb standing in the same location as in his nightmare. Dan turns back to his uneaten breakfast, then turns again to see Herb say silently, "C'mon." They exit to investigate the back of the Winkie's restaurant]
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Cowboy: A man's attitude... a man's attitude goes some ways. The way his life will be. Is that somethin' you agree with?
Adam Kesher: Sure.
Cowboy: Now... did you answer cause you thought that's what I wanted to hear, or did you think about what I said and answer cause you truly believe that to be right?
Adam Kesher: I agree with what you said, truthfully.
Cowboy: What'd I say?
Adam Kesher: Uh... that a man's attitude determines, to a large extent, how his life will be.
Cowboy: So since you agree, you must be someone who does not care about the good life.