Neon Genesis Evangelion movie plot
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Delmer 2022-03-28 09:01:04
The whole episode does not show mechas and monsters, but the helplessness and loneliness of various characters, showing the morbid psychology after the lack of a good childhood, and the various mech battles in the early stage are to place the characters in this apocalyptic background. Later, the contradictions of the characters deepened, so that in the mid-term, all kinds of contradictory self-questions occurred, and all these brewing broke out in the end. Machine warfare and the self-contradiction of the characters are just the foundation. Anno Hideaki's ambition is to show the self-contradiction of human beings. This leads to various philosophical and religious issues. Because of the foreshadowing of the previous 24 episodes, the self-report of all these characters is no longer as empty as the second lines of other animations, but full of emotional power. In the case of lack of funds The resulting picture cleverly caters to this twisted psychological self-report. But EVA is powerful, but I still think it's a bit overrated. The simple format of the unit drama and the split before and after can't be lingering.
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Clifton 2021-12-24 08:01:11
Undoubtedly a masterpiece... After watching it the second time, I still haven't fully understood the last two episodes...
Neon Genesis Evangelion quotes
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Rei Ayanami: [naked, with Shinji on top of her] Would you get off?
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Shinji Ikari: Are you asleep yet, Mr. Kaji?
Ryôji Kaji: No, not yet.
Shinji Ikari: What kind of person is my father?
Ryôji Kaji: Well, that question is a surprise. I thought you were going to talk about Katsuragi.
Shinji Ikari: It seems you're always with him.
Ryôji Kaji: The deputy commander is the one with him all the time. Have you been asking around about your father?
Shinji Ikari: I haven't been with him for a long time...
Ryôji Kaji: So, you don't know.
Shinji Ikari: But I have learned many things about my father recently. About his work, my mother...
Ryôji Kaji: No, you're wrong. You just think you understood. Well, that's why people try to know each other. That's why life is interesting.
Shinji Ikari: So, you can't really understand Misato either?
Ryôji Kaji: The Kanji we use for the word "she" a woman far away. To us men, women will always appear to be on the shore across. It means there is a river deeper and wider than the ocean that divides men and women.
Shinji Ikari: I can't understand grown-ups.