Nymphomaniac: Vol. I Domestic evaluation

2021-12-02 08:01
"Female Addict: Part One" is less controversial than "Depression" in terms of ideology and film language. The familiar description of sex and the exploration of desires do not constitute Ras’ challenge to himself. Therefore, this work may make Lars's admirers and critics a little frustrated with powerlessness.
"Female Addict: Part One" is like a sex PPT, chapters are divided into chapters, quotations from each other, with pictures and tables, eroticism, humor, aesthetics, science, and philosophy are integrated into the life story of a female addict. It does not tell the story in a straight line, nor does it focus on the main storyline, but talks about where it is, very leisurely. But it also has the most bone marrow elements in his film, defamiliarization, stage, and irony.
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Extended Reading
  • Elouise 2022-03-21 09:01:53

    B+ / Obsessed with the blending of different visual languages, the final polyphonic split-screen paragraph is stunned; the script is very interesting at first, but then becomes a scattered light capture, rather than a profound essay or a grand confession. Compared with "Shame", it is also a sex addiction, and female desire is obscured in the deeper layers of social culture. The same is true in "Her". Looking at the title obviously wants to make it epic, but it seems to be in the heat. /Director's version upholds the original judgment

  • Eloise 2022-03-27 09:01:06

    The song of the opening chariot suddenly appeared and startled me, how did I think of it like this, like it.

Nymphomaniac: Vol. I quotes

  • Mrs. H: Whatever? It must be hard, when you've got everything, to know what to say!

  • Joe: Basically, we're all waiting for permission to die.

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