Oslo evaluation action

Moving a play from stage to screen can be challenging. Screenwriter Rogers cut out nearly a third of his three-hour award-winning original play, which inevitably sacrificed some great scenes, but the added plot made the film more logically logical and audiovisual. more fascinating. As a film that is basically indoors and is mostly conversational, it's even harder to get audiences interested in the people arguing at the conference table and what they're arguing about. Rather than casting the characters as megaphones for policy and justice, the director incorporates dialogue that  .