Pather Panchali evaluation action

"Song of the Road পাঁচালী", with a fresh and simple style, has become one of the films that constructs the banner of realism and aesthetic consciousness in the history of Indian cinema. Its naturalistic aesthetic consciousness is completely different from the naturalistic literary schools in the sense of Western literature. It is closely related to the concept of "the unity of nature and man" in the oriental film aesthetic culture, and it realizes the self-knowledge of the individual and the communication and communication between man and nature. The "savour of compassion" in the film originated from Rey's portrayal and experience of Indian traditional aesthetic consciousness. As the opening work of the "New Wave of Indian Cinema", "Song of the Road পাঁচালী" is very different from the traditional Indian song and dance film's stereotyped narrative procedures and patterned character types. Instead, it portrays the film with a "compassionate" mood and technique. Each character in the story with an "existentialist attitude" expresses his true life of loneliness, anxiety, despair and sadness. In "Song of the Road পাঁচালী", Rey truly described "people", describing their character, emotions, hope, despair and pain. However, the "sorrow" in Rey's film is not simply pain and misfortune. As a framework, they construct the tranquility of the soul under suffering. That is to say, the film not only expresses the "sorrowful" sentiment, but also emphasizes the sentiment. The humanistic feelings hidden underneath, with an "existential attitude", writes out the character and soul of each individual individual. "Song of the Road পাঁচালী" not only represents the past, but also heralds the future .