Pulse movie plot

2022-03-18 08:01
At first glance, this is a story about a ghost destroying human beings in order to occupy the world, but director Kurosawa did not fall into the stereotype. The real enemy that people face in this film is not an alien ghost, but a sense of loneliness that cannot be escaped and overcome. The rhythm of the development of the film's story is controlled just right. The gradually expanding situation is accompanied by the looming crisis, which gradually deepens the accumulation of horror, and the sudden background music also contributes to the horror atmosphere. The film succeeded in triggering the audience's panic, but the film.
One is Ryosuke, a college student, and the other is Michi, an ordinary office girl who lives a single life. Around the two of them, changes have occurred quietly and unknowingly since I don't know when.
Mizhi's colleague committed suicide, the boss of the company disappeared, and then lovers, friends, and family gradually disappeared one by one. On the other hand, on the Internet screen that Ryosuke usually fiddles with, even if no operations are performed, the computer screen The message "Want to see a ghost?" also appeared on the top of the page, and an unusual-looking person with a black pocket was pressing against Ryosuke.
Feeling unwell, Ryosuke went to college classmate Chunjiang to discuss with doubts. Chunjiang specializes in the mysterious Internet phenomenon. However, in the continuous abnormal changes, the classmates, researchers, including Chunjiang, disappeared one by one.
Chaos is growing faster and faster, and with the Internet as a medium, an invisible panic that people can't explain is beginning to envelope the entire society. Ryosuke and Michi meet on the ruined street, and they challenge this terrible horror.
 
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Extended Reading
  • Letha 2022-03-21 09:03:30

    The extremes of yin and yang such as people and ghosts are very similar in Kurosawa Kiyoshi's powerful [loop]. Before death, people are lost like ghosts and shadows: it is no wonder that the more closely networked in the Yangjie, the more lonely people are, but after death they become only ghosts that are always lonely. Seeing the futile red frame like an autism epidemic, Kurosawa couldn't help shouting "Save the ghosts". Fortunately, the ending gives a tendency to reconcile between humans and ghosts.

  • Hester 2022-03-20 09:03:09

    Virtual Death, disappearing is a traditional art in the post-Baudrillard era. People are forced to upload their bodies and relationships to the Internet. Ghosts are not programs, but the screens themselves that are sucked into the virtual world. These people are still physical, and in the process of flashing, they keep silently saying "help". People are blocked and alienated by modern space. The man in the greenhouse and the intermediary of the inlaid TV screen are two of the film's most famous metaphors. At the same time, the ghosts in "The Loop" are no longer visions that break into individual perceptions, but are instead a grand, revelatory community behavior. Just after the disappearance of human beings, the urban space of Tokyo was rediscovered. . Right at the end, the empty Tokyo that the two drive through looks like a game screen under the filter. A crashed plane is no longer a catastrophe, but a cataclysmic event generated by a world constantly covered in simulacra. The film is based on a group of people who try to resist virtual death by rebuilding their relationship, and run to a hopeful future with despair.

Pulse quotes

  • Ryosuke Kawashima: [reads instruction manual] Welcome to the Internet.

    [gets on the computer]

    Ryosuke Kawashima: 'Have fun', okay, I'll have fun.

  • Ryosuke Kawashima: Can a computer dial you up itself?

    Yoshizaki: Are you in computer science?

    Ryosuke Kawashima: No, economics, no relation.

    Yoshizaki: Huh, sounds like a hacker.

    Ryosuke Kawashima: A hacker, huh... it said 'Do you want to meet a ghost?' Some website like that.

    Yoshizaki: A ghost, huh?

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