Rio Bravo evaluation action

2021-12-22 08:01
The film is a classic Western film with a complete structure. The final shootout of the hostage exchange scene is realistic and exciting. The character depiction is rough but fine, and the interpersonal relationship is exquisitely described. The theme song is also very touching. () 
The American classic Western film "Rio Bravo" embodies the hero complex of the hero in the heart of the protagonist. The film is detailed and has a tight rhythm. () 
Great directors always create under the premise of following the existing rules of the game, just like Howard Hawkes and his film "Rio Bravo". This is a great work with extraordinary psychological insight and aesthetic perception, but Howard Hawks makes the audience watch like other westerns in the film, and is not affected by the psychological factors in the film. Because he can successfully use an outdated genre to express his own thoughts, Howard Hawks is greater than other directors. () 
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Extended Reading
  • Rupert 2022-04-24 07:01:14

    Similar to High Noon but the complete opposite: Countdown to the Train Vs. Prison Defense, one pushes out, one sucks in. Gary Cooper was thin and nervous, and he wanted help but no one came, and John Wayne was strong and laid-back, and he didn't want to involve others, but there was always someone who offered to help. The colors are black and white versus color, the time is doubled, and several gunfights and several characters are extremely entertaining. Ford defines Westerns, Hawks defines Sharpshooter

  • Turner 2022-04-20 09:01:48

    Another brilliant Western from Howard Hawks, a response to the first anti-Western film, High Noon. The cleverly conceived script slowly fills the audience with background information, and the beautiful soundtrack is comparable to Sergio Leone's spaghetti western, which brings the story to climax. Each character is portrayed with distinct personalities and flesh and blood: Chance, a straight male sheriff who has a sense of justice but is very slow to express his love, Dude who finally walks out because of his love, and Colorado, a witty and brave young guy who is just starting out. No. 1 old cripple Stumpy, the endlessly funny as the second Mexican shopkeeper, and the equally verbose but stunningly beautiful woman as the heroine. Several fight scenes were well filmed. The confrontation between the bar and the guests and the killer hiding in the attic was very exciting. The ending of the prison battle and the shootout after the exchange of hostages was even more dizzying. "Dude ought to have a chance" and the two The pun on the male protagonist's name is also very interesting. All in all, it's a very successful western picture of the 1950s and 60s that incorporates comedy and anti-Western elements.

Rio Bravo quotes

  • [after Carlos has a quarrel with Consuelo]

    John T. Chance: You take chances, my friend.

    Carlos Robante: Because I know woman. If she will be mad or she will be sorry - if it is 'mad', she will be much pleasure to make right; and if she is 'sorry', it will be the same pleasure. You... you do not have women, so you do not know, senor. But me... Carlos Robante... I know!

  • Feathers: This isn't the first time that handbill has come up. I'd like to know what to do about it.

    John T. Chance: Well, you could quit playing cards... wearing feathers.

    Feathers: No, sheriff. No, I'm not going to do that. You see... that's what I'd do if I were the kind of girl that you think I am.

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