Rio Bravo evaluation action

Rupert 2022-04-24 07:01:14

Similar to High Noon but the complete opposite: Countdown to the Train Vs. Prison Defense, one pushes out, one sucks in. Gary Cooper was thin and nervous, and he wanted help but no one came, and John Wayne was strong and laid-back, and he didn't want to involve others, but there was always someone who offered to help. The colors are black and white versus color, the time is doubled, and several gunfights and several characters are extremely entertaining. Ford defines Westerns, Hawks defines Sharpshooter

Turner 2022-04-20 09:01:48

Another brilliant Western from Howard Hawks, a response to the first anti-Western film, High Noon. The cleverly conceived script slowly fills the audience with background information, and the beautiful soundtrack is comparable to Sergio Leone's spaghetti western, which brings the story to climax. Each character is portrayed with distinct personalities and flesh and blood: Chance, a straight male sheriff who has a sense of justice but is very slow to express his love, Dude who finally walks out because of his love, and Colorado, a witty and brave young guy who is just starting out. No. 1 old cripple Stumpy, the endlessly funny as the second Mexican shopkeeper, and the equally verbose but stunningly beautiful woman as the heroine. Several fight scenes were well filmed. The confrontation between the bar and the guests and the killer hiding in the attic was very exciting. The ending of the prison battle and the shootout after the exchange of hostages was even more dizzying. "Dude ought to have a chance" and the two The pun on the male protagonist's name is also very interesting. All in all, it's a very successful western picture of the 1950s and 60s that incorporates comedy and anti-Western elements.