The costume designer Chen Minzheng and the team spent 9 months just drawing pictures for the characters. In the beginning, the positioning of the Shadow film was colored, but the director wanted to try a variety of human images. So, he drew some color-extracted character pictures with saturation ranging from 30% to 50%, and then discussed with the director. Finally, the director wanted to try colorless ones, and made a batch of black, white and gray patterns. The director finally It is proposed to add some Chinese style, which has the feeling of Chinese painting. Because the texture pixels of the black, white and gray patterns available on the Internet were too low, Chen Min had to do his own painting. They made hundreds of paintings, nearly a thousand paintings, used as some graphics of clothing texture and copywriting.
The costume styling in "Shadow" is designed based on Hanfu, which is soft and elegant. The collar type is the simplest cross-collar blouse in the Han Dynasty. It is a typical Hanfu style without any adaptation of the collar type and the injection of fashion elements. of. There are many scenes in the film that are in the wind and rain. In the choice of material, the wind can flow, but it can’t collapse when it sees the rain. Clothing must be individually printed. Everyone’s clothes have some splashes of ink with different rhythms. Like Chinese paintings, there are special patterns and texts that are not concrete
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