The same is shooting boxing scenes. The language of "Fighter" is compact and exciting, and the music is used to achieve ups and downs; "Guild Fight" restores the filming method of live TV boxing matches, and strives to be true; "Tekken" adds a large number of subjective shots to make the audience more Have a sense of participation. Do not use music and slow motion to sensationalize, maintain the cruelty of the boxing match, try to achieve a calm restraint.
The director uses an understatement to describe the emotional line, especially at the end. An ordinary sentence and the two people's backs were stretched away by the camera, without being overly sensational, eager to touch the audience in the most natural way, and the accumulated emotions in front of them burst out in this way. Such an "anti-climax" approach is very worth learning from movies of the same type.
What happened to Gyllenhaal's character is not innovative enough (you can basically guess the direction of the story at the beginning), and the character's personality is still flat and symbolic. But Gyllenhaal's body and acting skills have undoubtedly become the most important weight to win a city. In "Nightcrawler", he was so thin and gloomy and paranoid. In "Iron Fist", his sturdy figure and powerful punching method made this character more convincing.
The film was widely acclaimed when it was released in the United States, among which Jack Gyllenhaal's good acting skills were praised by film critics and was hailed as one of the most successful screen transitions in recent years. ()
