Strangers on a Train movie plot
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Brenda 2022-04-20 09:01:34
Blu-ray reset. Barely pass. I don’t know if it’s the first movie that used the idea of exchanging murder. The main point of this one is Hitchcock’s cuteness: the reflections that appear on the glasses twice (this method of using mirrors to map murderous ideas is correct The movie is fake, the presentation of the game), the out-of-tune weirdo in the tennis audience, and finally develops into the final out-of-control carousel battle (and a child helps the male lead to beat the weirdo to death of me laughing). The main problem of this film is that it symbolically damages the narrative function. The two male protagonists are actually the one who got rid of the failed marriage of the swinging wife and rebuilds the husband's power, and defeated the one who has an Oedipus complex and wants to get rid of the patriarchy, but the film took too much time. A lot of writing shows the support of the male protagonist's lover's family for the male protagonist's husband's rights (the second daughter is a bit of a departure from the objective), which makes the male protagonist's situation much more submissive than that of the typical innocent victims in Hitchcock's films. It does not constitute a real sense of urgency. In addition, the production is more focused on the market, and too many suggestive shots are used to indicate the direction of the plot early.
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Wilford 2022-04-20 09:01:34
The idea of the story is absolutely amazing, and the photography is not bad. The close-up of the feet following the low-camera position and the broken shots of the tennis match interspersed with the narrative are impressive. It's a pity that one mountain can't hold two tigers. The reason why there is such an unloading ending must also be related to the disagreement between Raymond Chandler and Xi Fat.
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Bruno Anthony: Don't worry, I'm not going to shoot you, Mr. Haines. It might disturb Mother.
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Bruno: My theory is that everyone is a potential murderer.