In the film, the female director Christine Jeffs strives to avoid either-or, the dual moral judgment of right and wrong, good and evil, and tries to write Plath's tragic past as a fable. Jeffers possesses the sensibility and keenness necessary to express this subject. Her understanding of Plath comes more from intuition than analysis. Therefore, the film has a strong emotional power, which exists in the emotional connection established by the director, the lead actor and Plath. Their fanatical identity gives the film an overwhelming strength, and almost makes the film's story unaffordable. The suffocating atmosphere carefully created by Jeffers, and the gray depressive emotions that have gathered, make the audience to the edge of collapse like a heroine.
Sylvia evaluation action
2022-01-19 08:02
Extended Reading
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Jerrell 2022-01-19 08:02:20
She didn't act well, and his face never showed expression. Also, do you need that kind of sex scene? Too gimmick.
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Mercedes 2022-03-24 09:03:27
Is Gwyneth good-looking? I know 007 must not be good-looking. I think he is German, and his shots are not sharp enough. In fact, I am not afraid to learn from the metaphors and hallucinations of the waves or some special psychedelic techniques. because this film simply reminds me of every moment
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Sylvia: Mommy!
Aurelia Plath: Oh, darling. Welcome home, my darling.
Sylvia: Oh, you look beautiful.
Aurelia Plath: You're sweet.
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Ted: You know what your trouble is?
Sylvia: I have a husband who thinks he can tell me how to write poetry?
Ted: There's no secret to it. You've just got to pick a subject and - stick your head into it. You've got to write. That's what poets do.