Ten movie plot

Johathan 2022-03-14 14:12:29

Another pioneering work by Abbas. 1. The two fixed positions of the co-pilot and the driver’s seat are used diagonally to run through the whole process. The viewing angle is limited to the "non-location" of the interior space of the car. The pedestrians, buildings and scenery outside the car are also seen through the windows. Seeing the big in a small way, watching the leopard's move in a limited way. 2. Mainly impressing the audience with dialogues that seem to be hidden in daily life and real and natural performances. The only male passenger, his son, also unconsciously presented the demanding requirements for women under the patriarchal perspective (selfless dedication) The good wife and mother), and other characters such as women who are hurt by love and prostitutes who liberate themselves have also spoken about women’s emotions and living conditions from different perspectives. 3. In addition to his love for the road motif, Abbas has once again eliminated the boundary between fictional performances and real records. What makes me most empathetic is the boring and leisure time waiting for the driver. 4. It starts with [10], which serves as both the title and the serial number of the story, starts with a little boy, and ends with the story of the boy getting on the bus [1], complete loop, nine nines into one. 5. The scene where the prostitute finally gets into another car is the only scene outside the car. (8.5/10)

Danny 2022-04-24 07:01:23

The viewing state is too bad, I will have a chance to watch it later. After reading it, I don't really accept this kind of maximization of narrative and camera settings. Abandoning the narrative development process, extracting the momentary character states, and comparing different periods of time allow the viewer to construct a narrative line by himself.