The film describes a well-dressed middle-aged gentleman Madeo. After he got on a train in a train station in Spain, when he was smoking outside the box, he saw a girl on the platform who was anxiously looking for someone. When the girl came near the box, he poured a bucket of cold water on the girl. Madeo's rude behavior was met with curious glances from passengers. He told people about his own experience: Madeo once visited his brother's house and saw the new maid Conchita, and he immediately had a good impression. But the next day he found that the beautiful maid had left without saying goodbye. It turned out that Conchita was a Spanish girl. Her father committed suicide and left a large debt. She could only rely on her mother. They met again a few months later. When Madeo learned that Conchita and her daughter were struggling, he tried every means to help with money. But Conchita, the elusive dancer, treats Madeo with enthusiasm and coldness. She was always teasing his sexuality and in the end she refused to be possessed by him very firmly, even preferring to have sex in front of him. Finally, the unbearable Madeo beat her hard, and then went to the train station to leave, and the scarred Conchita poured a bucket of cold water on him. After the train arrived in Paris, the two got out of the car and saw a woman mending a torn, blood-stained nightgown. There was a sudden explosion, and the flames rolled on the screen.
That Obscure Object of Desire movie plot
2022-03-14 08:01
Extended Reading
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Dahlia 2022-03-26 09:01:14
The two people who have flashes of inspiration play a role, and the two people who are cold and enthusiastic are especially transformed into two actors who alternately appear on the screen. Because I was curious about the direction of this relationship, it felt like watching a suspense movie. The ending is high-energy, and the person who played with love terrorism exploded in place 233333
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Tyler 2022-03-16 09:01:09
The last of Buñuel, the overall average, but the beginning and the end are exquisite. Compared with the two-player heroine, I especially like the situational setting of "storytelling on the train", and the character distribution is also very interesting (as the male protagonist/narrator of the big capitalist, psychologist, judge, prudent middle-class housewife), Unfortunately, the director seems to have forgotten about this structure first. The finale of "The Old Woman Weeps and Embroiders Luoshang" reveals the theme (women use the delay of desire to overturn the power structure) as failure (the anger of the male protagonist after being deceived cannot deduce his love for the female protagonist; and once the female protagonist sets her body up As the last fortress, it is doomed to its ultimate failure), at the same time, the radical left violence of the 1970s in the overall background is also presented as an irrelevant failure.
That Obscure Object of Desire quotes
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Mathieu: My Conchita...
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Mathieu: I respect love too much to go seeking it in the back streets.
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Tossed in the middle of the shattered earth
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Hazy desire surrealism style interpretation of reality
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flame of revolution
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A textbook dissection of the way men and women approach affection and affection. Men's admiration and affection for women are due to desire, while women often guard their chastity, hope for a long-lasting commitment, and hope that love is pure and free of
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Three elements throughout the film