The Big Lebowski movie plot

Henderson 2022-03-23 09:01:03

Cohen's holding of sister-in-law is different from the section chief's holding sister-in-law. The debut of Blood Labyrinth was a great success, but the daughter of Kesao had a horny defect: lack of convincing glamour values ​​that caused the two men to fight for their lives. Presumably, for this reason, Cohen did not let his wife lead in the next four works, The Shadow of Raising Miller Patton. Until the ice and blood storm, Ke Sao came out again, and won the first championship by virtue of a perfect match with the part of the pregnant policewoman! Even with this accomplishment, there has never been the so-called hitting the iron man while the iron is hot since then. Kesao still maintains the principle of cautious adaptation when she enters the science opera. After the absence and reading of the performance, the style roughly followed the line of light joy and absurdity similar to that of the successful model Ice and Blood Storm. Waiting until the second filming laurel has nothing to do with his husband's work. This story educates us: Even in movies with non-mainstream authors, there are problems with character adaptation and selection. ……2015.06.13.

Aron 2022-03-22 09:01:03

It seems that the Coen brothers filming this kind of *dirty* stuff is not inferior to Quentin's and his like. The black humor is made into a black sketch, vulgar and nonsense. The insinuation of the Vietnam War and the Gulf War is very interesting. This movie is very weird. Gallic’s precise control over the overall rhythm and logic, a lazy sense of chaos coupled with an extremely good OST and almost perfect lens skills, a wonderful combination, but it makes people look very comfortable, one piece A weird farce made by the peeing carpet,As two appearances in the soundtrack, it’s great. The amateur mixed group of Germans, the broken fingers painted with green nail polish, the bitten ears, the blurred interpretation of pornography and art, and the sense of some shots are very strange. In his depiction of the porno dream, the ashes in the canned milk powder were blown by the sea breeze to Leboski's face. Many weird and stupid elements are not deliberately symbolized, but they are accidentally blended quite well. This is well done, and it is the biggest highlight of the whole film. (Now I am particularly curious about the taste of White Russia that Lebaoski drinks every day)