The Boy evaluation action

2021-12-20 08:01
Different from the hideous image of the horror dolls in the past, the dolls of "The Boy" can be described as ingenious, exquisite in appearance like an elegant little British gentleman, forming a different kind of contrast with the mysterious and strange temperament of the film, interpreting the advanced Hollywood High quality thriller concept   .
Unlike the heavy-tasting horror film of plasma flying and broken limbs, "The Boy" shows a kind of advanced psychological panic with complete plot and suspense. For Hollywood surprise films, this is a breakthrough and subversion, and this sense of horror will make the audience unforgettable   .
As the main scene of the film, the castle is quiet and mysterious, and the enclosed space is also full of depression. The overall atmosphere makes the audience goose bumps from the beginning. And the doll in the film, the fair-skinned, handsome and cute white porcelain boy Brahms, also comes with a horror effect when it appears. Unlike previous Hollywood thrillers with a lot of bloody and disgusting images, the horror of "The Boy" feels even more weird. Fire in the old castle, nightmare oil paintings stretched out ghost hands, puppets instantly shifted, blood dripped on their faces, glass shattered, etc. The atmosphere created by the dark images made the audience nervous all the time   .
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Extended Reading
  • Timothy 2022-04-23 07:02:29

    A film that can justify itself

  • Rosie 2022-03-21 09:02:07

    This film can be regarded as a bit of horror and thriller. The main reason is that the rhythm of the story is well grasped, and it can arouse some people's empathy. Of course, the accompanying brain supplement is also essential. Doll + sad and desolate story = better than real ghosts of terror. .

The Boy quotes

  • Malcolm: Okay, I see that you're... a writer from... Phoenix, Montana. You've come here to be inspired by the English countryside and to get away from the hustle and bustle of your life in the U.S. of A.

    Greta Evans: No.

    Malcolm: Close?

    Greta Evans: Um... not at all. No.

  • [last lines]

    Greta Evans: Malcolm? Malcolm! Malcolm!

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