The Cranes Are Flying evaluation action

2022-01-18 08:01
"The Cranes Are Flying" is considered to be "a movie satellite launched by the Russians." After it was released, it received widespread repercussions. The reason is that the film broke through the rigid framework of Soviet World War II films and embarked on a path of poetic film. On the surface, the story of the film is not particularly novel, but the director Mikhail Kalatozov used those beautiful long shots and rotating shots to perfectly overlap the artistic conception of the picture with the connotation of the story, using a person who has never been to the battlefield. Women’s lives show the sufferings of Soviet youth in the anti-fascist war.
This unique perspective makes Veronica in the movie a symbolic image, and her complex and diverse personal experience also highlights the special experience of Soviet women as a group in war.  
In "The Cranes Are Flying", Boris leaned against a birch tree before his death, his eyes were looking at the rapidly rotating birch treetops. On the background of the birch treetops, he imagined himself and Veronica The marriage scene has become an indispensable classic lens in the teaching of Beijing Film Academy.  
Under the package of war, "The Cranes Are Flying" is still a poignant love story. The beautiful Veronica and the handsome Boris are in love but separated by the war. The girl is committed to others while waiting, but what is finally waiting is the despair of the lost lover. The seemingly old-fashioned plot is clearly laid out in the lens language of the director and cameraman. The conflict between Zhang and Man made that love unforgettable.  
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Extended Reading
  • Barrett 2022-03-28 09:01:11

    This movie is a poem. The breathtaking movement of mirrors, light and shadow, and editing endow the film with a sense of rhythm, creating the "big strings are noisy like rain, small strings are like whispers. For example, when the heroine returns home, she sees a pair of pendulums swaying on the ruins of a broken bell ("Bingquan is cold and astringent"), so she covers her ears ("Condensation will never pass the sound and pause for a while"), "At this time. Silent is better than sound", not to mention the blown-up passages of sacrifice, loss, suicide, farewell, etc. Such a sense of rhythm is ultimately about lyricism - the level of emotional nuance of the characters in this film pales all language, so the technics (movements, lighting, editing) add (similar) elements of music and dance to the entire narrative. PS I (contrary to the mainstream opinion in Guiban) think the ending is good. The heroine's mental journey is also the epitome of war: she has to face not only death and chaos, but also reconstruction on the ruins. In this sense, it is a very atmospheric treatment for the heroine to stop at licking the wound at the end.

  • Stanford 2022-03-19 09:01:08

    Karatozov's masterpiece of poetry and film, 1958 Cannes Palme d'Or. 1. A large number of difficult and high-speed sports long shots, the camera seems to grow wings, smart and active, and business is full of business: when sending off and welcoming soldiers, the camera follows Veronica among the shoulder-to-shoulder crowd; Boris rushes to one. Stairs. 2. Two sets of slow or fast montages: the subjective shot of Boris's death (revolving birch forest) + running up the stairs + overlapping images of the wedding celebration and the white gauze bride; Veronica has multiple occasions when running wild A high-speed follow-up camera set (side shot-passing railings, overhead shot-fast flashing branches above your head, overhead shot-fast shoes) + imaginary scenes of suicide by jumping on the rails. 3. The main editing logic of the film: from the inside to the outside, from the small scene to the big scene, from the part to the whole, the same is true for the sports long lens. This unconventional sequence of scene presentation strengthens the suspense and revealing effect. 4. The "rising" movement throughout the film (the ending scene is also the case) has become a metaphorical motif-from the individual to the world, from the individual to the group. 5. A bird's-eye view of the two on a deserted street; the lights flickered and lost virginity in the house during the bombing. (9.0/10)

The Cranes Are Flying quotes

  • [first lines]

    Boris: Wait, squirrel! Here. Put it on.

  • Fyodor Ivanovich: Stop it this minute! You're a still a soldier in the Red Army! Are you trying to get discharged? Are you afraid we'll heal your hands and send you back to the front?

    A patient in the infirmary: No, Doctor, he's not like that. He got a letter.

    Fyodor Ivanovich: I know. That's just an excuse. Big deal! So your bride ran off. You should be glad! She isn't worth a penny if she would trade a handsome guy like you, a real hero, for some rat sitting out the war at home! It's she who's forfeit her happiness, not you! And that's what she deserves. She's got a petty soul. People like her can't understand how much suffering we've gone through. You stood up to death itself. You looked death in the face. You approached it with your chest stuck out. And she couldn't even pass the little test of time. Woman like her deserve only your contempt. There can be no forgiveness for them!

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