The Eight Hundred scene props
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Rachelle 2022-03-10 08:02:14
There are a lot of good points. Guan Hu is still very solid in his performance. Among the sixth-generation directors, he is probably the one with the most type of film thinking. The blasting scenes, shootout scenes, and the presentation of brotherhood (comradeship) are no worse than the battle-hardened Hong Kong directors Chen Musheng, Lin Chaoxian, and Chen Desen. At the end of the retreat scene, there were many audiences around crying. The tension and emotion brought by this scene probably did not lose the plot of the fishermen collectively sailing to rescue the British army at the end of "Dunkirk". Of course, there are some common faults in war films. The first half is obviously cut to pieces (of course, it is also related to the deletion), and too many character viewpoints are basically an old problem of domestic war films. Huayi probably packed all its own stars. went in. It’s a pity that the flag-guarding section has been deleted, and the rest of the deletions are quite obvious. Although the current version has a high degree of completion, as an audience, who is more inclined to see the director’s demands rather than political stances? The full version, after all, still has regrets. In the end, in every sense of the word, the people involved on stage and behind the scenes are worthy of admiration.
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Frank 2022-03-19 09:01:10
What's more touching is shouting my name and then jumping off the building to reveal that I was crying, and the ending felt a bit sloppy, and the old abacus disappeared.