The heroine Wen has been blind since childhood. Fortunately, she has an optimistic nature and her family is caring and supporting her, so she has always been happy, but being able to see the world with her own eyes has always been her and her family's greatest wish. Finally, one day, she received a corneal transplant and began to see things around her, but it also brought endless troubles. Wen, who saw the light, found that the world she saw was different from the world seen by others. In addition to seeing things that ordinary people could see, she could also see things that others could not see, such as: Ru Qing Figures of people floating like smoke; people as thin as cardboard walking on the street; people standing still in the corner; children crying and running up the stairs; mother and daughter licking barbecued pork; old men with floating feet, etc. Wen tells others what she sees, but is not trusted. What frightened her even more was that what she saw in the mirror was not herself but another woman. She began to become a little hysterical, and gradually hated what she had seen, and even wished she could not look at it as before. to anything. After careful consideration, Wen decided that all this must be caused by the cornea transplanted by herself, so she decided to trace the source of the cornea and find out the reason why she had seen a ghost. The previous owner of the cornea, Ling, was a Thai. Accompanied by Dr. Hua, Wen traced her to Thailand, but found that Ling turned out to be a "clairvoyant" with special abilities. She could predict the future but was not recognized by others. Once, she foresaw that a fire would destroy her village, but she was unable to save her village and its people, and she committed suicide in grief. After Ling's cornea was transplanted, Wen also had the same special function as Ling. Just as Wen is about to leave Thailand, she, like Ling, foresees a disaster, and only she can stop it
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The Eye movie plot
2022-01-27 08:23
Extended Reading
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Archibald 2022-03-24 09:03:38
The first half is fearful and evasive, the second half is face-to-face, the last fateful reincarnation, I am afraid because of other people's tragedies, and the tragedies caused by other people's fears, I especially like the various scenes of hell in the first half and Li Xinjie who plays the violin It's so charming. Although the reconciliation in the second half doesn't feel anything, even if the final reincarnation still cannot be saved, some things have changed. You can appreciate life and death, see beauty and evil, then you don't need to see it anymore, everything has already been felt . "Some things don't hurt unless you can't see them."
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Jerel 2022-03-18 09:01:09
Using the visual medium of film to express the concept of "unseen" with a little more design will be very impressive. The trance in the visual recovery process is particularly effective because of its approximation to life experience; more subjective The process of the lens, the clearer sight and the clearer horror scene will be more colorful if it is more delicately portrayed; and the touch of touch is also very colorful. After seeing the ghosts, I saw all kinds of life, the dazed child ghosts on the road, and the mother and son ghosts licking barbecued pork, which incorporated a lot of tenderness. In the process of watching the movie, I kept thinking of "Infernal Affairs", the kind of familiar broken editing and abusing the atmosphere to make a transition. After watching it, I realized that Peng Fa was the editing of "Infernal Affairs". It was unforgettable at first sight. Like, some cheap MV feeling. The final Thai drama is a cross-border segment for cooperation funds, which is really a bit blunt. Before the catastrophe, the ghosts of Wuyangyang came slowly, and the death had been pre-written, with a strong and powerful sense of fate; but the design of the entire script of the explosion of the gasoline car was very unconvincing and could not be realized more effectively.
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Wong Kar Mun: Are you okay, madam?
Old Lady in the Hospital: I'm freezing...
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Wong Kar Mun: What are you eating?
Boy with Cap: [eating candles] I'm hungry.