The film has maintained the director's bold and avant-garde style in all aspects. And Tatham Say made the film more thoroughly stamped with his personal style. In terms of routines, the imaginary world constructed by the human brain and the real world are intertwined and overlapped to create a grotesque and unruly ultimate imagination space. The bright and dazzling images are also carried forward in the film. The feature of the film is the master of vision, but the visual feast presented in it is still different from the scenes of the so-called commercial giants. The difference is like a realistic oil painting with heavy ink and color, and the other is Colorful surrealist watercolor. The storyline shows Tatham Sai’s lack of creativity in the story. His adaptation of the pirate story into a human brain adventure is just to unfold his overwhelming magnificent imagination as a foreshadowing. To put it bluntly, the storyline is purely a “flowery shelf” of visual effects for him ()
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Although the film is full of all kinds of expensive imagination, the excessive focus on visual effects and the abuse of special effects have made the superficial articles overwhelming, the story is lackluster, and the gorgeous pictures are good-looking, but they are just as boring as a slide. If this kind of video is put in a 5-minute MV, it is acceptable, but it is purely foolish to expand it into a 117-minute record ()
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The film has a stunning composition and beautiful pictures. The main plot can be described as "telling a magical story in a real story". In the end, the magical story is intertwined and overlapped with the reality of the story, and finally achieves salvation, and it can even be said to be inspirational. the goal of. This plot is exactly the same as in "thecell", except that it takes another step in the gorgeousness of the image, and the depth of thinking has gone deeper ()
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