Although the story of the third-generation godfather Vincent is not fully revealed in the movie, in the first half of his life, he can already see a certain tragic premise-giving up his love for power; assassination is like a father in order to get rid of the threat. The uncle who raised him; hired a murderer, but killed his lover Mary by accident. This kind of potential fate writing itself can also make an intertextual comparison with the director Coppola’s growth history as an Italian immigrant. The fate journey from being poor to starting from nothing, and finally dreaming broken, is both the Corleone family's experience, and the same. It is also what Italian immigrants have experienced in history.
In "The Godfather 3", Michael completed the transformation of his family business, and as a result, his daughter was assassinated, "the old had nowhere to rely", and died alone in the manor. This is very different from Vito Kryon's old age. All this corresponds to the theme of "The Godfather 3", "All the power on earth can't change destiny". When social morality expanded to the entire social life, the family-centered morality of feudal lords, aristocrats, and the underworld faded away. Any individual or even family-based confrontation turned into a futile effort to resist fate.
