As Wind Man’s first wide-screen film, people can see in the film that the director “deliberately” used the benefits of wide-frame to create a “new” space configuration method and bring it with it. Strong personal style
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In terms of its own planning and stimulus, the film has taken a big step forward than "Seven Samurai" and "Spider's Nest City", bringing the sword fighting film to a higher level. It is so beautifully produced, imaginative, intimate, and sophisticated, it can almost be said to be the cutest one of Wind Man's works
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The film is a technically dramatic structured film with a distinctive style. The lens connection methods presented in the film mainly include "cut", "stripe" and "fade in and out". When each major stage of the film is completed, the standard film language segmentation form "fade in and fade out" is used. When each plot point is completed, the "stroke" connection form is used. In the table node, the middle of each scene is used. Unskilled "cut". The hierarchically structured paragraph structure embodies Wind Man’s thorough grasp and accurate understanding of the narrative structure, and based on this, has shown good control over the construction of the macro visual style, and is able to guide the audience into the prescribed scenes of the film’s narrative setting and follow. The unfolding of the plot and the people in the play experience the event together on the psychological level have played a very good effect. Although the character of Maki Rokurota is more typological, it is also a character with distinctive characteristics in the design of the play. Wind Man also makes full use of audiovisual methods to portray farmers. The excessively strong elite color in the film needs to be discussed, but it cannot be denied that the ability to accurately visualize the spiritual realm of the characters just between pitches is the director's skill
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