"The Iceman" did not deliberately exaggerate violence, and the audience did not always see the blood splattered violent aesthetics. To create a simple-minded cold-blooded animal without any emotion is obviously not the original intention of the director. Director Ariel Warroman alternately focused his pen and ink on the dual personality of the protagonist in his private life and facing the world. Of course, the film is not too entangled in the analysis of the character's psychology. It only flashes back the scene with a very short child, which symbolically hints at the origin of the protagonist's violence.
The strict script and direction of "The Iceman" keeps the film from becoming a purely violent film and loses its standard, but it brings together almost all the elements of a violent action film-black, a potentially dangerous atmosphere, uninterrupted violence, architecture explosion, destroying furniture, racing and so on
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