The Killing evaluation action
-
Doug 2022-04-22 07:01:32
Twenty-seven-year-old Kubrick is already ahead of the times. This multi-line narrative black crime film has an influence on both Guy Ritchie and Quentin. There are a few more voice-overs, but the dialogue is really sparkling, especially between the wimpy husband and the vicious wife, so exciting. The police, bartender, buddy, sharpshooter, hooligan and other three religions and nine streams jointly staged the big racehorse robbery, constantly retracing the preparation process of all parties, and then a series of climaxes, and the last scene was empty, in one go
-
Clay 2022-04-22 07:01:32
There are some shortcomings in Kubrick's early works. For example, the narration is very redundant. Of course, this is mainly to take care of the viewing habits of the audience in the 1950s. Some scenes and lines are not refined enough, and the ending is slightly sloppy, but the multi-line narrative disrupts the time. The method of the line is very powerful, the dramatic tension is very good, and it was completely ahead of the times at that time.
-
Sherry Peatty: You want me to call you Papa, isn't that it George? And you want to call me Mama.
George Peatty: You know all the answers.
Sherry Peatty: Go right ahead. Of course, it may be the last word you ever say; but, I'll try to kill you as painless as possible.
-
George Peatty: It would make a difference, wouldn't it. If I had money, I mean.
Sherry Peatty: How would you define money, George? Now, if you're thinkin' of givin' me your collection of Roosevelt dimes...
George Peatty: I mean big money. Hundreds of thousands of dollars.
Sherry Peatty: You really don't feel well, do you? Are you sure that pain's in your stomach?
George Peatty: I'm gonna have it, Sherry. Hundreds of thousands. Maybe a half a million.
Sherry Peatty: Of course you are, Darling. Did you put the right address on the envelope when you sent it to the North Pole?