The Lady in the Van evaluation action

2022-01-17 08:01
The film relies on a smooth, delicate, convergent narrative, calm lyricism, and witty language, making an old lady like a hard mirror, reflecting the life of the playwright, the life of the entire community, and even the spiritual world of the British. The film is not about the suspense of the heart and the lungs, nor the turbulence of emotions. It is very light, like a small snake swimming by in the pool, which induces the audience's emotions for the next moment, but there is no trace. The film embodies life, a trivial and ordinary life, emanating from the depths of daily life, without any artificial sense of story   .
The film tells the story of two "weirds", with a sentence or two of British humor interspersed from time to time. The color tone is like Shepard's old yellow-painted truck, with a lively and cordial worldly flavor. The two of them are hard-mouthed, noisy on the surface, but in their hearts they regard each other as confidants. This kind of acquaintance and interdependence gradually develops in the day-to-day getting along. Between friendship and family, it seems dull, but it is especially teary   .
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Extended Reading
  • Jillian 2022-03-23 09:03:01

    When I saw the middle, I thought it would be better if it was made into a live theater, but in the end I realized that it was really written for the stage

  • Rico 2022-03-23 09:03:01

    Accents and words are really hard to understand =_= The kindness and badness of ordinary people, without any crazy wildness, it seems a bit incredible when placed around: let a homeless person with a bad smell live in his own garden Die~ If you don't lack money, only gays who have leisure can do it~

The Lady in the Van quotes

  • Rufus: [about the hearse] Well, it's a cut above her previous vehicle.

  • Miss Shepherd: Why? Why did you just let me die? I'd like to go up into heaven. An ascension, possibly. A transfiguration.

    Alan Bennett: That's not really my kind of thing.

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