The Lives of Others evaluation action

2022-01-25 08:03
The film "Eavesdropping Storm" has twists and turns, grasping the hearts of the people, and presenting a good story to the audience. The film does not end with a happy scene of reunion like the fairy tale analyzed by Prop, but leaves the audience with it. A touch of gratitude.
"Eavesdropping Storm" is a serious and reflective film that continues the strong speculative temperament and unambiguous critical spirit of German films since the 21st century. The rather clever story frame enables the 132-minute film to maintain a high concentration of attention at all times. "Eavesdropping Storm" can organically blend ornamental and serious themes, which is no easy task nowadays. It wasn't until the end, which was highly restrained but uncontrollable, that the audience admired the author's ingenuity, and thus penetrated all the details in the film.
"Eavesdropping Storm" is a film about self-salvation. The writer found himself in the resistance, and the eavesdropper was saved in the glorious betrayal. "Eavesdropping Storm" also showed the audience another form of distance education in the Berlin Wall era-as long as you believe that people's conscience has not disappeared, then it is possible to turn the eavesdropped study into a classroom and the eavesdropper into a room. Disciple, let the monitoring records become class notes.
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Extended Reading
  • Eduardo 2021-10-20 19:01:15

    -I always feel that it's a little bit worse~ The episode where the uncle and the fat woman made each other broke me. . .

  • Lia 2022-04-24 07:01:03

    I write your story, you write my story. Eavesdropping is full of voices, and there is only silent communication between the two.

The Lives of Others quotes

  • Georg Dreyman: You are a great artist. I know that, and your audience knows it, too. You don't need him. You don't need him. Stay here. Don't go to him.

    Christa-Maria Sieland: No? I don't need him? Don't I need this whole system? What about you? Then you don't need it either, or need it even less. But you get in bed with them, too. Why do you do it? Because they can destroy you too, despite your talent and your faith. Because they decide what we play, who is to act, and who can direct.

  • Georg Dreyman: I want to ask you one thing.

    Minister Bruno Hempf: Anything, my dear Dreyman.

    Georg Dreyman: Why wasn't my flat wired? Everyone was under surveillance. Why not me?

    Minister Bruno Hempf: [whispers] You were under full surveillance. We knew everything about you.

    Georg Dreyman: Full surveillance?

    Minister Bruno Hempf: The whole place was bugged. The works.

    Georg Dreyman: Impossible.

    Minister Bruno Hempf: Take a look behind your light switches. We knew everything. We even knew that you weren't man enough to satisfy our little Christa.

    Georg Dreyman: [contemptuously] To think that people like you ruled a country.

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