The Mexican evaluation action
2021-12-10 08:01
The film incorporates elements of romance, thriller, comedy, and crime. Pete and Roberts did not continue Hollywood's usual laws of good-looking men and women, but instead presented a new type of male and female protagonist relationship that made the audience's eyes shine. I hope to see the scene where Pete and Roberts shoot sparks. One is looking for a gun in Mexico, and the other is kidnapped in Las Vegas. Although the two actors are a little bit brilliant, they always disappoint the star fans. Except for some artificial jokes, this movie became a very boring gay movie. When the audience thought that the movie was over, there were still 15 minutes
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The structure of the film actually has a certain American independent production style: absurd plot, unconventional characters, more or less subversion of genre movies, deliberate exaggeration of fuss, and ambiguity in moral concepts. The film unfolds with two clues. On the one hand, it constantly emphasizes Mexico's madness, mystery, and Peter's irritability; on the other hand, it makes a big fuss between Roberts and the "gentle killer" who kidnapped her. However, the two clues lack an organic and close connection, so that they appear to be fragmented. It is just that the two people are showing each other their absurd situation. Too much emphasis on the peculiarities and alternative flavors of the characters and plots makes the film somewhat bluff and deliberately contrived
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Extended Reading
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Jerry: Oh, Ok, I was under the impression, with Margolese getting out of jail and all, that the last job, was my last job.
Bernie Nayman: You fucked up that job.
Bobby Victory: You fucked up that job, Jerry.
Bernie Nayman: Yeah, this job, will be your last job.
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Leroy: Kevlar is for pussies