The Searchers evaluation action
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Briana 2021-12-08 08:01:40
(70/10) Westerns in the 1950s have begun to have some elements of genre reflection, but the genre elements established by John Ford in traditional Westerns still exist. The racial confrontation from the white perspective is still about justice and evil. The little white girl abducted by the Indians is used as a clue to the whole plot, interspersed with love lines, plus occasional gags, wonderful horse-riding shootouts, and the symbolic first and last door frames. The composition is very visible. However, John Ford still has not escaped from the traditional national view. The conflict between the conqueror and the conquered is still unadjustable. Deep-level cultural factors and racial barriers still remain at the surface of prejudice and superficiality. The little girl’s "Assimilation" and "transformation" are almost taken in a few shots, a passive, self-conscious existence, like an "object", grabbed around, and finally returned to the original owner, nothing changed.
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Amber 2021-12-08 08:01:40
This is the film that has affected many directors. The western filming in 1868 in 1956 can be original like this. The shooting angle is so novel even if it is now. Of course, I am still entangled in the question of whether Texas has an accent. A lot of laughter~ By the way, it should be the first time I have seen a film in a movie that time passes so naturally. It is not a stiff row of subtitles: after xx years, it is getting old and old in the line. texas is so beautiful
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Ethan: We did all right.
Martin: We? Why you just staked me out there like a piece of bait. You built up the fire. You fixed it so I could get my brains blowed out! What if you'd missed?
Ethan: It never occurred to me.
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Chief Scar: Two sons - killed by white men... For each son, I take many scalps...