The Shining Shooting process

2021-10-13 18:32
The shooting of "The Shining" was difficult and long. Because of Kubrick's methodical nature, it took more than a year to complete the main shooting alone.
The film was shot at EMI Elstree Studios in Borehamwood, UK. The hotel set in the film was the largest set built at the time, including a full set of interior and exterior views of the hotel. A few exterior shots were taken from Timberline Lodge in Mount Hood, Oregon. , Part of the interior is based on the Avani Hotel in Yosemite National Park. In order to prevent the film from adversely affecting Room 217, Timberline Lodge asked Kubrick to change the sinister and ominous Room 217 to Room 237. Due to the shuttle in the hotel setting, Kubrick used a camera stabilizer for the first time.
The opening panoramic picture and the scene of the Volkswagen Beetle heading to the hotel were taken by a helicopter over Sunny Avenue in Glacier National Park, Montana. Kubrick allowed his 17-year-old daughter Vivian Kubrick (Vivian Kubrick) to produce a documentary about "The Shining", which was originally filmed for the BBC TV show "Arena". The rare insight shows how the Kubrick film was filmed. 
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Extended Reading
  • Alejandra 2021-10-20 18:58:08

    Jack's wife has a real ET

  • Lottie 2021-10-20 18:58:12

    Excluding the soundtrack of the camera, watching this kind of film at this age and this era is really irritating, and it’s annoying to shoot so long.

The Shining quotes

  • Stuart Ullman: When the place was built in 1907, there was very little interest in winter sports. And this site was chosen for its seclusion and scenic beauty.

    Jack Torrance: [laughs] Well, it's certainly got plenty of that.

    Stuart Ullman: ...The winters can be fantastically cruel. And the basic idea is to cope with the very costly damage and depreciation which can occur. And this consists mainly of running the boiler, heating different parts of the hotel on a daily, rotating basis, repair damage as it occurs, and doing repairs so that the elements can't get a foothold.

    Jack Torrance: Well, that sounds fine to me.

    Stuart Ullman: Physically, it's not a very demanding job. The only thing that can get a bit trying up here during the winter is, uh, a tremendous sense of isolation.

    Jack Torrance: Well, that just happens to be exactly what I'm looking for. I'm outlining a new writing project and, uh, five months of peace is just what I want.

    Stuart Ullman: That's very good Jack, because, uh, for some people, solitude and isolation can, of itself become a problem.

    Jack Torrance: Not for me.

    Stuart Ullman: How about your wife and son? How do you think they'll take to it?

    Jack Torrance: They'll love it.

  • Wendy Torrance: Hey. Wasn't it around here that the Donner Party got snowbound?

    Jack Torrance: I think that was farther west in the Sierras.

    Wendy Torrance: Oh.

    Danny Torrance: What was the Donner Party?

    Jack Torrance: They were a party of settlers in covered-wagon times. They got snowbound one winter in the mountains. They had to resort to cannibalism in order to stay alive.

    Danny Torrance: You mean they ate each other up?

    Jack Torrance: They had to, in order to survive.

    Wendy Torrance: Jack...

    Danny Torrance: Don't worry, Mom. I know all about cannibalism. I saw it on TV.

    Jack Torrance: See, it's okay. He saw it on the television.

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