The screenwriters of "The Skeleton Twins" Craig Johnson and Mark Hyman cleverly weave together humor, sweetness and sadness. In the film, Wegg's performance reveals sadness from his eyes, and Harder's talent for emotional transformation is also revealed. Among them, Harder's "Interstellar Ship" lipstick "Nothing Can Stop Us" is really interesting, but not frivolous. The relationship between twins is closer than most brothers and sisters, and the director has used this relationship time and time again to break the concepts of birth and not, love and not love. The question is whether Milo and Maggie can "accept or leave" as they like in a song. The film answers this question very well.
"The Skeleton Twins" has a lot of exciting moments and a lot of jokes, but don't expect it to be a surprising comedy. This is a movie in which the male protagonist cuts his wrists in the bathtub and the female protagonist stares at a jar of pills. The whole action is enveloped in darkness, like a storm cloud. The male and female protagonists perform very well. Their roles are not so much hidden behind their dark humor, as they are obsessed with humor in order to survive. Excellent works often come from ordinary life. This is a movie with a comfortable scale but showing pain. Its bending and deformation make people feel very alive.
