The Town evaluation action

2022-01-25 08:03
The film fully mobilized the interest of the target audience, namely young men. The police films are interspersed with graceful love stories, chivalrous, soft, hard and soft, and also attract a large number of romantic female audiences. The strong story foundation of "Robbers in the City" also undoubtedly distinguishes the film from other crime movies. Ben Affleck's outstanding performance in screenwriting has once again been fully certified by "Robbers in the City". The changed plot is closer to the lives of urban people. The plot is intense and exciting, the rhythm is not rushed, and the narrative is wonderful, which perfectly interprets the story of the "tough guy and beauty" in the new era.
Affleck powerfully and solemnly demonstrated one aspect of Boston's worst neighbourhood, where the loyalty between thieves is deeper than blood.
"The Thief in the City" is an important symbol of Affleck's career transition to the new Clint Eastwood.
"Robber in the City" is almost as ridiculous as Affleck's debut novel "The Missing Baby", another letter written to Boston with a poison pen.
"The Thief in the City" is not as strong as "The Missing Baby", but it is still the same effort as before and it is worth watching.
Everyone in the film is glamorous, but McCray's jailed dad played by Chris Cooper is the most shocking.
An extremely attractive and sensational crime thriller, one of the best films of 2010.
Although "The Thief in the City" adapted from Chuck Hogan's novel was misjudged by 130 minutes, the film itself was not bad.
Affleck has won the Oscar for Best Screenplay. He knows how to grasp the context and key points of the story. "The Thief in the City" is an excellent portrayal.
Affleck showed people how to direct a film.
A firm, powerful and interesting thriller directed by a talented and brave director.
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Extended Reading

The Town quotes

  • Claire Keesey: [getting out of Doug's truck] Do we uh... do we know each other well enough for me to say that this truck is a little much?

    Doug MacRay: [laughs] It's my work truck. If you have problems with your Prius, I could always throw it in the back.

    Claire Keesey: Now, how did you know I had Prius?

    Doug MacRay: Ah... I took a guess. I'd... you... I mean it just seems like a 'toonie' car. Why? You really have a Prius?

    Claire Keesey: Yeah.

    Doug MacRay: Really!

    Claire Keesey: I had a Prius. It got vandalized.

    Doug MacRay: What happened?

    Claire Keesey: I don't know. I'm forced to walk a mile through the projects. There were these guys and they started you know...

    Doug MacRay: What?

    Claire Keesey: I'm not sure if this is the same guys who trashed my car, but...

    Doug MacRay: The guys, what?

    Claire Keesey: They started getting... you know it started with yelling when I walked by. And then they got really aggressive and...

    Doug MacRay: Well, what were they doing?

    Claire Keesey: Once glass bottles started getting thrown I started coming to terms with not being cool enough to walk through the projects.

    Doug MacRay: They threw bottles at you?

    Claire Keesey: I... I'm fine. I just have to, you know, go the long way. It doesn't matter.

    Doug MacRay: No. Just have to live with it I guess. Do you remember what they looked like?

  • [Krista has been hospitalized after a car accident. Frawley approaches her]

    Krista Coughlin: There he is. Mr. Six Inches.

    FBI S.A. Adam Frawley: What happened?

    Krista Coughlin: You're a crime stopper, figure it the fuck out.

    FBI S.A. Adam Frawley: Sweetheart, I know you have oxycodone, cocaine and alcohol in your system. I know that you have five cars registered in your name and I know right now your daughter is sitting in the back of a state van, being driven by a stranger to the Department of Social Services. So, how long do you wanna do this?

    Krista Coughlin: I'm a person, you know?

    FBI S.A. Adam Frawley: Yeah, you're a person who's gonna need a plea agreement if you ever wanna see your kid again.

    Krista Coughlin: Why is it always I'm the one who's gettin' used?

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