The story of "Ahlat Ağacı" progressed very slowly. Surprisingly, the three-hour film length did not really fly by. The audience’s viewing experience was like being trapped in an extremely large novel. Philosophy, religion, politics, and moral problems are intertwined. Fortunately, the final ending of the film is worth a long wait. Director Nuri Bilge Ceylan gave up the beautiful interference and unfolded the story in a more realistic way, finally integrating all the main lines of the story together. The final scene of the film resolves the conflict between the old and the new generation in two ways. For better or worse, the audience can choose which ending is real and which is a dream. Although a lot of poetry is missing, it does not mean that these fragments are unobtrusive, just like the towering white mountains, reminiscent of Abbas Kiarostami.
The Wild Pear Tree evaluation action
2022-01-16 08:01
Extended Reading
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Hilma 2022-03-28 09:01:10
Quarrel with my father, quarrel with my mother, quarrel with my grandparents, quarrel with my sister, quarrel with a girl I have a crush on, quarrel with a good friend, quarrel with a famous writer. In fact, he has been quarreling with himself, and finally he has compromised.
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Kiana 2022-03-25 09:01:19
The father-son quarrel begins by the well, ends the dream, the mother's persistence, the autumn and winter of Anatolia, the dream on the bus, the golden wheat field and the kiss under the tree, the chatter in the stash of the Trojan horse, the graduates from the peninsula of Asia Minor in the fields of returning home Lengthy conversations on overwhelmed Ceylon from family to religion including that slow-selling Wild Pear Tree
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Sinan Karasu: Iron doesn't become steel without time in the furnace.
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Suleyman: Someone once called time a silent saw. You never know what it'll do to us.