The film is a completely indifferent and indifferent film that can completely ignore the audience. Most of the passages are lengthy silences. This narrative method is abused.
The film boldly departed from all the director's past films. The introverted and introspective storytelling has become the best narrative method. With the perfect visual and sound effects, it has become the essence of Ceylon.
The film was given a solemn tone from the beginning. The vacillating shots and the dark background made the whole story immersed in a rusty decadent atmosphere. But in this style, the director entrusted unusual peace to the protagonist's family, and in fact planted an undercurrent bomb under this calm.
The story background of the film is all completed by short-time narration. After that, the film begins to slowly show the daily life of mother and child, using subtle plots and clues to continuously construct the film until it reaches the final emotional climax. This is exactly what Ceylon is good at using lenses to capture the rich and subtle emotions in people's hearts. Every shot of "Three Monkeys" is like a work accurately hung on a gallery wall, quiet but full of power.
