Hirayama Zhoujiandare an elderly couple. Their lives are a bit lonely and lonely, so they decide to go to Tokyo to visit their children who are already married. They arrived happily, but received a rather cold reception. The son, daughter-in-law, daughter, and son-in-law are all very busy due to the pressure of life, and there is no time to greet the two elders. Therefore, it is recommended that they go to Atami for vacation. On the surface, it gives them a chance to relax and visit, but in fact they want to get rid of them. Only the young widow daughter-in-law Kikomore caring and considerate to them. Soon after the two elders returned to their hometown, the children received telegrams from their mother that their mother was seriously ill. They then returned to their hometown to visit their critically ill mother, who could no longer identify them. After the funeral, the children rushed back to Tokyo again, only Kiko stayed a few more days to accompany the widowed elderly in their twilight years. Kiko admits that being a widow is very difficult for her, and the old man persuades her to remarry. Then, Mr. Hirayama stayed alone in the house, thinking about his lonely old age
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Tokyo Story movie plot
2021-12-22 08:01
Extended Reading
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Thomas 2022-03-20 09:01:56
There are too many scenes that make people cry, two old people sitting on the roadside eating, the mother's subtle expression when she looks at her grandson, the sobbing of Noriko and her mother after turning off the lights, and the tears from the corners of Noriko's eyes several times, the father after his wife's death The changes... Simple and moving, "filial piety" and "family affection", the ever-changing issues, have been passed down from Ozu to Hirokazu-eda. Don't wait until "the child wants to be raised but the parent does not wait", the original Setsuko is indeed, the true goddess
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Alessia 2021-12-22 08:01:04
7/10. Ozu abnormally arranged for Shizi's corner to be ugly and ugly. For example, she told her husband not to patronize Pacman, but she picked up a chopstick, and the fan also impatiently patted this and that, her thoughts and movements are the same. Fragmented, I lamented the death of my mother just now, and the next sentence asked about the funeral arrangements. The messy items in her house contrasted with the regular composition of the film, suggesting that the most unfilial ambition is the destroyer of the family order. Ozu is filming the family. When composing the group image, the number of chimneys in the empty mirror strictly corresponds to the number of people in the home. Rectangular frames symbolizing civilization and order appear everywhere. When the elder son receives a telegram from his mother that his mother is critically ill, he walks to the deepest part of the door frame. Suddenly blowing a whistle to make the bird amused, and even the joy of dinner, the brewing and resolution of grief, adopted this composition, which shows Ozu’s abduction-style family view: under the control of parental authority, children have to live by A well-arranged life is considered filial piety. The only human scene is sightseeing in Tokyo. Passengers look at the palace and buildings outside the window. The talents here have uncontrollable vitality.
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Tomi Hirayama: [speaking to her little grandson Isamu] - What are you going to be when you grow up? A doctor like your father?
[Isamu doesn't answer and continues to pick grass]
Tomi Hirayama: By the time you become a doctor, I wonder if I'll still be here.
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Kurazo Kaneko: [returning from shopping] I brought some cakes for them.
[to Shige]
Kurazo Kaneko: Have one. They're good.
Shige Kaneko: [taking a cake] They don't need such expensive cakes.
Kurazo Kaneko: [eating a cake] Good, eh?
Shige Kaneko: [eating a cake] Good, but too expensive. Crackers would have been good enough for them.
Kurazo Kaneko: But they had crackers yesterday.