"Vagabond" has a strong expression of feminism
. In this film, female characters are not only objects to be stared at, but also try to become the center of the world. Director Agnès Varda injected a living soul into the beautiful female body through the depiction of character details and plot design, combined with the complex and exquisite acting skills of actor Sandrine Bonaire to fully show the full picture of the character in front of the audience
. The film raises wandering to the philosophical level of life existence, and explores the ontological significance of wandering for individual freedom and the way of life. The director expresses people's common yearning for freedom through the mouths of various characters. To witnesses caught in the mundane, the heroine Mona is freedom, and her wandering just happens to be the spread of freedom, wherever Mona goes, the air is filled with the joy of freedom. However, Mona's final death not only implies the director's cautious evaluation of Mona, but also declares the impossibility of freedom to some extent. In this way, what the film has to interpret through the wanderings of Mona and Mona is precisely the dialectical logic of matter and spirit, body and soul, life and freedom, and freedom and security.
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Vagabond evaluation action
2022-01-18 08:02
Extended Reading
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Deondre 2022-03-20 09:02:42
Varda's masterpiece, the young Varda's narrative scheduling and directing skills are well worthy of being a rider. Leaving aside the social reality of this film, Varda used the “heard” method to supplement the story clues around the vagrant girl, making the story as if "Oedipus King" was sung, and so was the death of the vagrant girl. Oedipus himself embraced the fatal fate, so should we blame the mound that tripped the girl?
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Adolfo 2022-04-19 09:02:44
100 points, it's great, the separation is natural and smooth, the non-professional actors are also well selected, and the technical aspects of this film are very good, and the art photography is beautiful. The mini crew who made movies in that era were really amazing. The choice of details and close-ups is also very effective when it comes to characterization. Seeing that the actress was covered in mud and her hair was sticky and dirty in the end, I sighed for the actress in our country.
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la platonologne Mme Landier: Why did you drop out?
Mona Bergeron, sans toit ni loi: Champagne on the road's better!
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les Bergers: She blew in like the wind. No plans, no goals... No wishes, no wants... We suggested things to her. She didn't want to do a thing. Wandering? That's withering. By proving she's useless, she helps a system she rejects. It's not wandering, it's withering.