On August 11, 2018, the film crew released the first stills
. On August 29, the film crew released a leading trailer
. On September 4, director Brady James Monson Corbet, with starring actors Natalie Hershlag, Raffey Cassidy, Stacy Martin, etc., appeared at the Venice International Film Festival press conference and premiered on the red carpet
. On September 7, director Brady James Monson Corbet appeared at the Toronto International Film Festival with starring Natalie Hershlag and Jude Law. On October 15th, director Brady James Monson Corbet appeared at the London International Film Festival with Jude Law and Raffey Cassidy. On October 15, director Brady James Monson Corbet and starring Natalie Hershlag appeared at the Austin Film Festival. On October 26, the film party released an official trailer
. On November 9, director Brady James Monson Corbet and starring Natalie Hershlag appeared at the American Film Institute Film Festival. On November 28, the film crew released new stills
. On November 29, the film party released the second trailer
. On December 5, the film party held a premiere in Los Angeles, USA. Director Brady James Monson Corbet appeared with starring actors Natalie Hershlag, Jude Law, and Raffey Cassidy
. On December 23, the film crew released new stills
.
Vox Lux Early publicity
2022-02-19 08:01
Extended Reading
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Cleve 2022-03-16 09:01:06
Driving high and low, Natalie Portman was arrested for raping a 13-year-old girl, pleaded guilty, and escaped before being sentenced. When the wanted director Roman Polanski (pianist, bitter moon) was arrested in 2009, she also signed a petition for release. , Turned around and engaged in the anti-sexual assault movement, what a changeable baby https://gawker.com/5377316/who-are-these-polanski-backers-anyway
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Marques 2022-03-25 09:01:19
It captures the common features of pop music and terrorist attacks in the post-Cold War era. In the era of world images, attacks/wars and the star-making industry share "simulacrums", condensing complex attacks into finger-tapping technologies such as satellite maps, and attacking "distant" others through stage visual effects and media rendering. Capturing the image of a pop icon, the two are essentially indistinguishable. Celeste, as an attack victim and pop icon, is the target of this era. From prelude to act 2, the film first combines the two identities (the first two parts are very exciting, I like it very much), and then let the idols in the background begin to confess themselves, showing the depravity and trauma behind the great illusion that supports the world. In the end, I returned to Shanda's visual creation, trying to let the audience decide whether to reject or accept the invitation of the illusion after knowing the process. The movie idea is very good, but there are two shortcomings: Portman's confession part is too loud, because the front is too cold, it can be shot with a black swan temperament; I still have to admit that I don't like the concert part (perhaps the director's purpose).
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Celeste: You a retard?
Eleanor: No.
Celeste: Cause sometimes your jaw slacks a certain way when you look like life's just happening to you? You look like a retard.
Eleanor: Please don't say that about me.
Celeste: Only crazy people get aggravated when you call them crazy. So you must really be retarded.
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Celeste: I used to be treated like I was a hero. And then they start talking about me like I'm trailer trash. But that's what the show is about. It's about rebirth.