As a domestic animated film telling oriental stories, "White Snake" visually presents a beautiful and moving oriental feast to the audience. Ink painting, boating, landscapes, towers, umbrellas, hairpins, clothes plackets, and the walking gestures of characters are all expressions of Chinese style.
"White Snake" is creative at the story level; the animation characters are liked and accepted by the audience from the beginning, and can even be said to be amazing; the production technology is excellent, and the spirit of Chinese aesthetics can be seen everywhere.
"White Snake" starts with traditional culture in terms of theme selection, making it easier for audiences to enter the theater. Secondly, the film's creative team is also more professional.
"White Snake" has made a drastic adaptation of the original White Snake in the story, with a large creative space and no sense of disobedience in character creation. However, such a subversive adaptation has not lost the core of the story in the original work. The whole film still tells the story of the shemale falling in love, overcoming the difficulties together, and then parting ways. The whole story is told by the beautiful film language of the whole film, which makes the audience feel more immersive and touching about the encounters of the characters in the film. The film's adaptation of the Legend of the White Snake is relatively successful. It uses the names of Xu Xuan and Xu Xian in history to tell a story about a marriage in a previous life, and the ending is combined with folklore. It is innovative without losing the authenticity of the story, and it also allows the audience to see China. The growth of animation screenwriters. But the film still has many problems, the plot turns abruptly, and the story is a little thin.
