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Garland 2022-01-07 15:53:57
[Film Review] Peggy Sue Got Married (1986) 6.2/10
An outlier among Coppola's corpus, PEGGY SUE GOT MARRIED is an echt high-school chick flick that jumps on the bandwagon of the “time-travel” fad jump-started by Robert Zemeckis' far superior BACK TO THE FUTURE (1985).
During the 25-year high school reunion, Peggy Sue (Turner) is so overwhelmed by...
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Randi 2022-01-07 15:53:57
Share some of the stalks in the movie
This movie has a lot of connotation. I feel that the information is collected by me personally. If there are errors, please help me to correct them:
1. When Peggy and sister are watching TV together, tell her sister not to eat red chocolate beans, because the United States also appears Over food...
Anna Ferguson
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Nicholaus 2022-03-21 09:02:39
Nicolas Cage's ugly face when he was young is really incredible...
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Kaya 2022-04-23 07:03:27
I'm sorry to say it was the first Coppola, and I don't know what I watched when it ended? Not all directors are suitable for making comedies, and it cannot be a director who has to make a comedy movie and then end up being criticized by future generations. Moreover, Francis Ford Coppola, who has the ambition and pursuit of depicting the changes of the times and the mental journey of the characters. In short, it is the "Charlotte Troubled" road of scumbags. The relationship between characters and the plot design are arbitrary, that is, there is no logic and organization. The characters are still good-looking and the performance is a bit anxious. The combination of describing desire and reflection cannot pass through this way, although There is still the ambition to combine the director with the times, but it is only a touch of the water. Kathleen Turner was 32 at the time and already had a big mother face, and counting young Jim Carrey, Helen Hunt, Nicolas Cage and the director's daughter Sofia Coppola, they were more like the Coppola family's play tickets, otherwise how to explain this A farce?
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Mr. Gilfond: What Hemingway's saying, Michael, is that we are alone. That when we go out too far, we're vulnerable. The irony that Santiago is beaten by the sharks, doesn't make him less of a hero.
Michael Fitzsimmons: Who's the victim and who's the predator?
