Chris Foss

Jettie 2022-02-04 08:13:18

This unfinished film is more than 30 years ahead of its time. It is 100 years ahead of its time. Even today, it is at least 50 years ahead of its time.

"Create your own soul", "Let people who don't take LSD feel useful", "Open the minds of the younger generation" are the starting points of...

Queenie 2022-02-04 08:13:18

Because he liked the cartoons of "Captain Blueberry", he found his camera Mobis; relying on a special marijuana, he hooked up with the hippie screenwriter O'Bannon of "Dark Star"; persuaded Fox, who designed the spaceship shape, to scold Eating pink floyd from McDonald's, and even hanging Salvador...

Maxine 2022-03-27 09:01:23

In fact, I like Jodorowsky's works in general, the style is quite avant-garde, and the sense of form is great, but I don't really like what he wants to express. So at first I was glad that his "Dune" failed, and I was glad that this work was not destroyed (unfortunately, it was later destroyed by Lynch... As a fan, it was unexpected...). But after watching this documentary, I was really shocked by the strong production team, and also admired Jodorowsky's extreme enthusiasm and boldness in his creation. Although I partially disagreed with his thoughts on completing the work, it still did not affect him. In my heart, I am a rare crazy artist in the film and television industry. Compared with his works, I love his passionate creative process more. It's a pity that this extremely large video art has no chance of being realized. As Hollywood, such a choice is also reasonable. Jodorowsky's visual language is too obscure for commercial films, although it may be a great Art, but it will never be a successful commercial film, it can only be said to be a regret of the times.

Queenie 2022-03-26 09:01:15

At the end of the documentary, Jordu said that his "Dune" became a comic, which triggered irrelevant associations: Why does the genre of comics exist? Isn't it a collision with social production (movie)? Dune is not a "classic" in the sense of literary history, nor should it be a "classic". In contemporary times, becoming a "classic" is a dubious recycling and encoding process imposed by the main culture on the subculture: once a subculture text is designated as a "classic" by chance, it often means that other subcultures contain more radical factors. denial. If the hierarchy of the elite culture is introduced into the subculture, the subculture will degenerate into the elite culture, which has nothing to do with what the subculture itself says. So the way for subcultures to stay alive is to keep being reinvented and refusing to be "classic".