Osamu Hosoi

Cassandra 2022-04-23 07:02:41

Wei Ma's agent, staying in the United States: A. Not Ma: B. The role played by Mima Yoko Takakura: C

At first, A saw the shadow of himself as an idol singer in B's body, but he couldn't accept B's transformation. Created a website to monitor B 24/7 with B's ardent fans. Stop B by...

Colton 2022-03-26 09:01:07

I watched the movie "The House of Weima" yesterday. I felt very shocked. Both the plot and the scenes are very classic, and they all have Mr. Jin Min's unique style, the repetition of dreams and reality, and the rapid switching of sub-shots. , the plot is compact and tense, and the combination of...

Sadye 2022-03-24 09:02:18

Debut is the pinnacle. If "Millennium Actress" is known for being one-stop, "Blue Fear" is a popular drama with a dozen or so full-level post-designs (the most outstanding one is the rape scene where the voice and drama are reversed). Sublimated to the peak of the shadow of the sun. Jin Min is deeply immersed in "Mobile Police Movie Version 2". The traces of the silence are chiseled in this film: the building glass in the opening, the rearview mirror of the car in the ending, and the figure of "Mima of the Ministry", all of which Oshii uses the mirror to refer to fictional consciousness Suo Jun, a technique that erodes the sense of reality. This also highlights that Jin Min's concern from beginning to end is not the "dream" that he claims to be, but "fiction"; to find out the sequence of how man-made fiction emerges from reality is the true context of Jin Min's films. The nameless but real inheritance between Oshii and Jin Min is undoubtedly the biggest surprise in the 1990s.