Steve Tientcheu

Damaris 2022-04-24 07:01:19

Today, more than 100 years after the publication of Hugo's Les Misérables, the pressing new reality facing French society is the issue of immigration, and related issues such as class divisions, racial confrontations, cultural differences, and religious conflicts. This is a local problem, but also...

Rosemarie 2022-04-19 09:02:41

A poster that has almost nothing to do with the plot is the starting point of the whole movie. After the carnival of the whole people, the French riot broke out. Carnival is like the calm sea, riot is the vortex of the deep sea. The vortex is caused by the game of power and human nature, as well...

Nakia 2022-03-19 09:01:07

The lion in the cage forgets that he is a beast because of the domestication of the whip, and the law enforcement officer thinks he is a god because of the gun in his hand. Obviously they all grew up in the same neighborhood, and the policemen in uniforms and the mayors of different skin colors have been separated into classes. I smashed the phone of a girl on the street, thinking that it could also smash the memory card of a high-altitude drone. It can steal the lion from the circus, and it can also stage a revenge against totalitarianism. There are no evil plants and people, only evil breeders.

Benny 2022-03-28 09:01:08

It is still a work in the context of genre films, and it does not shy away from the symbolization and facialization of characters, and does not shy away from all aspects of the high conceptualization of the block. What is really different from conventional genre works is that dense ideological expressions are presented through loose scene organization. There are only a few flaws in balance. For example, the entire text of the film has no time to take into account the characters of the police outside the block, but they still try to bring them back to life for a short time before the final scene. Constrained by the pursuit of text saturation.