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Raleigh 2022-04-23 07:03:27
Another movie of Emperor Kurosawa that makes me very excited, the photography is a bunker, and the picture quality is super strong. The first half is about facing the difficult moral choice between kidnapping and bankruptcy, and the second half is like a Hitchcock-style detective film, and the process of solving the case is very meticulous. Kurosawa's two main protagonists, Toshiro Mifune and Tatsuya Nakadai, both performed well, but Mifune's performance in modern films is still the same as...
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Ima 2022-04-23 07:03:27
Akira Kurosawa has an excellent grasp of the atmosphere and the control of mood and rhythm. The performance of each character in different story stages is very good, which in turn promotes the wonderful story through the...
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Nedra 2022-04-23 07:03:27
This film is, in general, a suspenseful detective film. In addition to using superb case-solving design and rhythm control, Akira Kurosawa deeply analyzes people's psychology in the context of modern society, establishes a beautiful personality, and has a profound impact on society. Deep reflection. The cast is very strong, the middle-aged Toshiro Mifune, the young Nakadai Tatsuki and Yamazaki Nu, as well as several old faces who have been following Akira Kurosawa, did not say anything about...
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Pearl 2022-04-23 07:03:27
1. Akira Kurosawa is very powerful and has drawn many clues, but there are still some accidents that are revealed to you and mislead you, and some are deliberately left there without explanation, such as why the prisoner's hands are shaking. 2. Very complicated, but not without clues, look at Akira Kurosawa, you can't fall asleep at all, no matter how sleepy you are. 3. He will always present social problems to you, and he does not shy away from the truth, black people on the dance floor,...
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Desiree 2022-04-23 07:03:27
Omg, I watched three copies in class in 2014, and I didn't finish it until today in 2018. I remember being quite excited at the time, and opened the door to suspense films. It's a pity I haven't been able to watch it. When things are settled, there is a fine line between heaven and hell. The scene of introducing the prisoner is quite profound. It is really clever to use the reflection of the first-class garbage river to introduce the prisoner. The second profound scene must be the dance floor...
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Adrienne 2022-04-23 07:03:27
(8.5) Emperor Kurosawa crushes the vast majority of mediocre directors like a Yokohama industrialist crushes a madman in a slum at the foot of the mountain. Just talking about the nearly one-hour indoor play in the first half, the scheduling of many climaxing group plays. Most people don't dare to shoot like this in the first...
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Hilda 2022-04-23 07:03:27
Akira Kurosawa used a kidnapping case to extend the issue of the gap between the rich and the poor in society. The mise-en-scene, camera movement, and film pacing are all...
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Fletcher 2022-04-22 07:01:42
#1st Island Exhibition# Part 6: The overall setting of the story is absolutely perfect, the dilemma of the characters who are driven to a dead end, and the attitudes of people from different classes who are pregnant with the protagonist are enough to constitute a very strong dramatic tension. The only thing that made me feel a little bit of drama was that this film was too Western, it was Hitchcock who added neo-realism issues, and it lacked the aesthetic paradigm unique to Emperor Kurosawa....
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Sherman 2022-04-22 07:01:42
Each of Kurosawa's films is a textbook example of audiovisual and mise-en-scene. The indoor scene of the first hour perfectly visualized Quan Teng's dilemma through scene structure, character interaction and character position. Moreover, Akira Kurosawa used the imagery of "cold/hot" superbly. The rich area is cool and comfortable, but the rich are as anxious as ants on a hot pot; the poor area is hot and humid, but the poor are as cold and stiff as walking corpses. . Although the whole Kurosawa...
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Letha 2022-04-22 07:01:42
Akira Kurosawa's ability to use black and white light and shadow to compose pictures is first-rate; I feel that the lines of the large indoor play in the opening are too straightforward; at first, I guessed that the business plot made the rich slide from the top of the mountain to the slums at the foot of the mountain, and then rose up later. Following the story of the comeback, I didn't expect kidnapping to be the subject of the filming, followed by detailed analysis, the murderer's criminal...
High and Low Comments
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Retta 2022-03-25 09:01:14
The second half isn't necessarily a drag, right?
To put it simply, it is a wonderful one. Akira Kurosawa is really unbeatable in terms of storytelling. The interior scheduling in the first half is very good at depicting the same scene with different depths of field. The second half is similar to the routine and plot of a detective film. Although...
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Clovis 2022-03-21 09:02:38
A rare good-looking drama
The meaning of heaven and hell in the title refers to Takeuchi, who kidnapped the murderer in the film. He has always lived in hell, and he does not pray to enter heaven after death. Takeuchi is purely a simple and direct hatred of wealth. As for what kind of situation he went through that led to...
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Chief Detective Tokura: For Mr. Gondo's sake, be bloodhounds!
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[last lines]
Ginjirô Takeuchi - Medical Intern: You think I'm shaking out of fear, but I'm not! It's just the physiological reaction from being in solitary too long. Just leaving the cell makes me shake. I'm not afraid of death. I don't care if I go to hell. My life has been hell since the day I was born.
[laughs]
Ginjirô Takeuchi - Medical Intern: But if I had to go to heaven, then I'd really start to tremble.
[laughs]