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Akeem 2022-03-26 09:01:09
The first hour of indoor play was wonderful, and the scene was very tight. Through the investigation process, take the audience to visit hell, like a sequel to "Wild Dog". At the end of the film, the scene in which the rich businessman and the kidnapper are mirror images of each other is very good. The duality is opposite, but they are one, class, misunderstanding, and no solution. (Compared to the last hope of "Wild Dog", this one is much...
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Everardo 2022-03-26 09:01:09
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Gillian 2022-03-26 09:01:09
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Cade 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Antonia 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Madalyn 2022-03-26 09:01:09
[Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize...
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Angel 2022-03-25 09:01:14
After watching it, I couldn't extricate myself from trembling for a long time. A near-perfect crime film with meticulous camera language and compositional positioning. There is a stark contrast between the rich area of heaven and the hell area where drug addicts live. The hatred between classes leads to the kidnapping. At the end, Yamazaki Nu's crazy performance seems to be a wailing from...
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Abel 2022-03-24 09:02:51
[China Film Archive Kurosawa Akira Film Festival] 4K restoration version. In the first half of "Kingdom of Heaven", the concentrated indoor scene with only one scene is extraordinary. In the second half of "Hell", multi-angle investigation scenes are intertwined. The focus was gradually shifted from Toshiro Mifune to the group play. The crime portrayal is as detailed as a textbook. A film addresses issues such as personal, social, interests, life, and even class antagonism and the gap between...
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Ethel 2022-03-24 09:02:51
[China Film Archive Kurosawa Akira Film Festival] 4K restoration version. In the first half of "Kingdom of Heaven", the concentrated indoor scene with only one scene is extraordinary. In the second half of "Hell", multi-angle investigation scenes are intertwined. The focus was gradually shifted from Toshiro Mifune to the group play. The crime portrayal is as detailed as a textbook. A film addresses issues such as personal, social, interests, life, and even class antagonism and the gap between...
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Destin 2022-03-24 09:02:51
Short-sighted sales targets, unsightly hilltop mansions, seaside villas with corpses, stalkers in alleys, media layout, fishing and law enforcement... Personal moral struggles are very similar to those of Japanese society in the...
High and Low Comments
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Daphne 2022-01-09 08:01:17
Analyze two points of plot and director's intention
Kurosawa Akiko was there. He did not follow our usual line of thinking to make the company's top executive with the most obvious conflict of interest the murderer behind the scenes. Instead, he let a citizen with a very ordinary criminal motive plan the entire crime. As far as entertainment is...
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Leif 2022-03-26 09:01:09
The process of solving the case
I recently watched two Kurosawa Akira movies, "Wild Dog", "Heaven and Hell", and "Wild Dog" can be called a reference version of Jiang Wen's "Looking for a Gun". In addition to its profound portrayal of human nature, "Heaven and Hell" reflects the whole process of solving a case. It can really...
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Reiko Gondo: What just happened?
Kingo Gondo: Nothing.
Reiko Gondo: It certainly didn't look that way.
Kingo Gondo: Don't worry. You wouldn't understand. It's business.
Reiko Gondo: You always say that to keep me quiet.
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Kingo Gondo: A man must kill or be killed.