-
Jace 2023-06-10 15:48:46
What does crash out mean? It means...
-
Jeffry 2023-05-30 10:03:35
The narration is very smooth, in one go. The story is complete and the plot ups and downs are quite reasonable. But as a film noir, it is too typical in terms of plot, and there is no noteworthy breakthrough. Perhaps as an earlier work, it left a deep impact on later. The car chase scene on the mountain road is very...
-
Maynard 2023-05-19 13:37:40
All kinds of pretentiousness,...
-
Larue 2023-05-05 18:37:31
Bogart's first male lead in a black film, and Ida Lupineau excelled. This may also be a movie of the desperate mandarin duck series. Bogart's wishful thinking but swallowed the bitter fruit, Ada's infatuation has witnessed the death of the people. Bogart finally let Ada go first, and she was alone with the police, as Tustawild and James Caan followed 40 years later. In the end, the towering skyscrapers made future generations such as Hitchcock and David Miller feel ashamed. I'm not afraid of...
-
Isaiah 2023-05-05 03:17:11
The 4-star film was raised to 5 stars by Bogart's lone wolf temperament. "Crash out means free", the determination to die and never return to prison is still roaring in "The Wire" half a century later. The last shot at Motianling is reminiscent of "Going through fire and water", and the towering giant rock symbolizes the magnanimous personality of "everything that doesn't like you". "It is the hope of freedom that supports you to move forward." After all, the female protagonist from the bottom...
-
Jonas 2023-04-28 04:42:24
Not film noir. In the last half hour, the screenwriter forced the IQ of the hero and heroine off the assembly line. What makes the male and female protagonists unlovable is not the way they seek life, but the utility and weakness of their own treatment of...
-
Jillian 2023-04-19 19:41:49
Film noir has not yet been defined at this time. If this film is counted in, probably that dog is the position of the gangster in the usual black film. In this film, Bogart feels worse than the villain who was a gangster in the past. The goddess is gone, the money is not received, and the lover is also dragged down by him (and the screenwriter Jiang Zhidafa)....
-
Lydia 2023-04-18 11:55:53
People like you are in a hurry to die, yes, you are in a hurry to...
-
Kathleen 2023-04-08 17:34:30
In the early noir films, Bogart's image was more three-dimensional, and the car chase scene on the mountain road at the end was already very good at that...
-
Katarina 2023-04-07 02:25:22
Regular black, Bogart starred for the first time, already very...
High Sierra Comments
-
Jacklyn 2022-10-15 21:19:59
free free
This film is attributed to the early days of noir movies, and it is also attributed to the end of the 30-40S gangster movies; there is absolutely nothing like the killing of the previous gangster movies - to stand out - earth-shaking, and Roy played by Bogart has reported "the last vote" from the...
-
Beulah 2022-10-15 16:24:17
Bogart always has a pussy face
1. The screenwriter turned out to be Houston, Bogart Iron Triangle.
2. 1 stack - 2 stack push (stack + push) - 3 stack: building - capital - governor's office - the back of the character sitting, classic and clean.
3. Desperately looking for resources looks cool. This is the same principle as what...
-
'Doc' Banton: He's on a bad way, Old Mac. Bum ticker, kidney's on the blink, bad stomach, like a kid's toy that's running down. I try to keeping him from drinking but there's no stopping Old Mac. he'll go on doing just as he always has done. Well, maybe he's right. Well, good night Roy.
Roy Earle: Good night 'Doc'.
[goes back in Big mac's bedroom]
Big Mac: Roy.
[points at the bottles of liquor]
Roy Earle: I don't know, Mac, the 'Doc'...
Big Mac: Yeah, I do know.
[takes a drinks]
Big Mac: Yeah, now I feel better.
[finishes writing a letter and puts in a envelope]
Big Mac: That's the works. Now, if anything should happen to me, read the letter and you'll know what to do. As the 'Doc' told you... if I don't lay off the booze, it's gonna knock me off. But I'm gonna die anyhow. So are you. So are we all.
[serves himself and Roy a couple of drinks]
Roy Earle: To your health Mac...
-
Art: If I didn't know where they were from, I'd think they were phony.
Roy Earle: Poor old Mac. There he was lying dead with $500,000 beside him. Well, it's all yours and all I want is my cut.
Art: You gonna have to wait a few days for that Roy;
Roy Earle: [surprised and annoyed] What?
Art: Don't look at me like that. my share you can put in your eye. Larry's the head man now that Mac's gone.
Roy Earle: Kansas City?
Art: That's him. He's flying out. Now, you leave the stuff with me and hide out for a while. I can help you out a little.
Roy Earle: Are you trying to pull a fast one on me? Because I don't like fast ones.
Art: well take the stuff with you if you feel that way. But it'll be like carrying a bomb around.
Roy Earle: Okay. Give me a couple of $100's and keep this. But if I don't get my end, you not gonna be around long. You and Larry both.
Art: Now don't worry Roy. You'll get it. Here's the $200
Roy Earle: [Roy reaches in the jewelry box and gets a ring] Yeah, that's what I want.
Marie Garson: [Roy goes back to the car where Marie and Pard the dog wait and he puts the ring on a surprised Marie] Oh Roy!...
Roy Earle: That's a present.
Marie Garson: Of course, you would put it on the wrong finger.
[they embrace and kiss]