I Vitelloni Comments

  • Hazle 2022-09-07 17:29:23

    "For a man from Rimini, his dreams are actually just dreams. But he will eventually leave and castrate his dreams into the "sweet life". Before leaving, let these prostitutes, in Shanxi, call them little Wu, in Taiwan they call people from Fengkui, in Japan they call Xinzhi, in New York they call Johnny boy, let their own senses fully enjoy everything that blows in front of them, and forget that it is absurd and powerless to go on like this....

  • Lexi 2022-09-07 13:28:17

    In a small seaside town on the edge of loneliness, they reveled in all the dilapidation, and they were no longer teenagers in a blink of an eye. Alberto had to stay to take care of his mother; Leopoldo complained that no one understood his art but did not have the courage to go out; Faust's prodigal son turned back, got married, and could never go out again. They were all discussing leaving, but only Morad, who loved to watch lightning, left without looking back towards the stars - just like...

  • Oda 2022-09-07 12:52:20

    Probably the cutest Fellini, I like his light humor in the early days, the body expressions of the characters still have the feeling of a silent film, the five-in-one autobiography is also a bit magical, and even more amazing is the ending, which is the most beautiful in my heart. One of the endings. This one already has all the themes of Fellini's later works: boredom - there is always something more; the picture can be summed up as everyone, everyone, everyone, everyone, everyone; silly and...

Extended Reading
  • Amanda 2022-09-07 16:17:51

    Everyone's "Town"

    Fellini's sluts live everywhere in the world. In Shanxi they are called Xiaowu, in Taiwan they are called Fengguiren, in Beijing they are called Mahou, in Japan they are called Xinzhi, in New York they are called Johnny Boy . They wandered around all day, doing nothing, but they were finally...

  • Garth 2022-09-07 20:20:57

    It's nice that someone can forgive you

    Fellini's third film. As a representative of Italian neorealism, Fellini's films, especially the early ones, are all bland in rhythm and simple in plot. What has not changed is the description of reality. Fellini and his contemporary Antonioni can be said to be two contrasting artists, both very...

I Vitelloni quotes

  • Alberto: [drunkenly] Who the hell are you? Who?

    Moraldo Rubini: It's me, Moraldo.

    Alberto: Who?

    Moraldo Rubini: Moraldo.

    Alberto: No, you're nobody. You're all nobodies. All of you.

  • Alberto: [drunkenly] Moraldo, know what? We gotta get married.

    Moraldo Rubini: Yes.

    Alberto: We gotta get married. You see Fausto? He settled down. He's happy. He has a house. We just gotta get ourselves wives.