It Must Be Heaven Comments

Owen 2022-03-22 09:02:57

The director is very cute. He uses symmetrical aesthetics and a three-stage structure to visualize the damn political issue. He likes the chairs in the Luxembourg Gardens and the guns in the New York supermarket. Sure enough, there are indifferent people, useless police officers, and political white lotuses who only care about gimmicks all over the world. The State of Palestine also incorporated the accusation of non-state into a joke. The script is exquisite but also flawed: because of the...

Houston 2022-03-22 09:02:57

Elijah Suleiman has a thorough observation of the environment, and quietly records the changes in the world. The lens alternates between the subjective and the objective. Palestine, France, and the United States are among them. Suleiman is a director and an observer. No matter whether the place is prosperous or not, there is a dilapidated contrast to it. But this kind of sharpness was expressed in a very relaxed and pleasant way, and it coexisted delicately with Suleiman's tightly closed lips....

Dayana 2022-03-22 09:02:57

From the symmetry of the picture to the confrontation of the editing, it still continues the personal style (very Roy Anderson). The director exists both as a Palestinian and at the same time as a bystander. Compared with previous works, the metaphors (or similes) and political appeals of this one are much more straightforward, but it still feels much better than...

Liana 2022-03-22 09:02:57

Playing with various symbols, there is actually a bit of Roy Anderson at the beginning, and then it is completely empty and stereotyped. It can only be said that some scenes are still okay, but some are really unbearable to look at. The fish eyes are mixed with pearls, and there are a little more fish eyes. I don't know how African Americans will feel when they watch this...

Gregorio 2022-03-22 09:02:57

It may be that Shadow One lacked oxygen, and the guy on the left fell asleep for the first hour even though he laughed loudly for three seconds. He couldn't comment on Suleiman's style for half an hour after waking up from Cohen's darkness....

Abby 2022-03-22 09:02:57

#72nd Cannes# Main competition Special Mention + Fabisi. The final and 20th main race in Cannes this year. Not the best Suleiman, but the most allegorical one (Paris with no people + New York with a riot of demons), "Will there be Palestine?" "Absolutely, but not in your and my lifetime". It's still a little piece of rhythm, repeating the variation and shaking, and in some places it will make people laugh to death. Fabisi is really brave and tasteful to send...

Marquis 2022-03-21 09:03:24

The last one at Cannes. A bit of pantomime and Tati, the male protagonist didn't say a word, and looked at the bizarre world with his face paralyzed throughout the whole process, and everyone's movements were rigid and ridiculous. Dedicated to Palestine. Sometimes it feels like the action is too...

Estell 2022-03-21 09:03:24

Much better than expected, still presented as the follow-up tense of The time that remains, it is it that maintains the clumsy machinery from beginning to end in the empty shell of the previous legacy (the former home where both parents died, Palestine and the status quo of the world) And the stereotype, and give up the full emotional narrative, it is much better than before. The mechanical nature of this film not only continues the rigid repetitive movements of the previous film, but also...

Daniella 2022-03-21 09:03:24

Holy Israel opens the back door and storms into Palestine, the snake's repayment, chicken drinking, blindfolded sunglasses, on the way of water transportation; Paris ghost town, street corner welfare, flowers under the car, city gate tank, horse dung machine, celebration B-side grab stool And the birds that fly away; the daily routine of firearms, a round of applause, the death of a foreign land, the angel fruit running in Central Park, drinking is for memory rather than forgetting, New York...

Stephan 2022-03-21 09:03:24

I thought it was a religious film, but I didn’t expect it to be a joke film. In fact, you don’t have to repeatedly emphasize where you come from. The audience also understands. It’s just a little clever to shake the burden until the end. It’s meaningless to be black for the sake of...